2018
Springboard English Language Arts Common Core Edition

8th Grade - Gateway 1

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Gateway Ratings Summary

Text Quality

Text Quality & Complexity and Alignment to Standards Components
Score
Gateway 1 - Meets Expectations
91%
Criterion 1.1: Text Complexity and Quality
20 / 20
Criterion 1.2: Alignment to the Standards with Tasks and Questions Grounded in Evidence
13 / 16

The SpringBoard Grade 8 instructional materials meet the expectations for text quality and complexity and alignment to the standards. The instructional materials include texts that are worthy of students' time and attention and that support students’ advancing toward independent reading. The materials provide opportunities for rich and rigorous evidence-based discussions and writing about texts to build strong literacy skills.

Criterion 1.1: Text Complexity and Quality

20 / 20

Texts are worthy of students' time and attention: texts are of quality and are rigorous, meeting the text complexity criteria for each grade. Materials support students' advancing toward independent reading.

The instructional materials reviewed for Grade 8 meet the criteria for text quality and complexity. The materials include an appropriate distribution of texts suggested in the CCSS for Grade 8. In addition to literary texts, the program supports student access to strong informational texts. Anchor texts within the materials are of publishable quality, worthy of especially careful reading, and consider a range of student interests. Texts have the appropriate level of complexity for the grade according to quantitative analysis, qualitative analysis, and relationship to their associated student task. Over the course of the year, materials support students’ increasing literacy skills through a series of texts at a variety of complexity levels appropriate for Grade 8. The materials are accompanied by text complexity analyses and rationales for purpose and placement in the grade level, and the program’s anchor and supporting texts provide opportunities for students to engage in a range and volume of reading to achieve grade level reading proficiency.

Indicator 1a

4 / 4

Anchor texts are of publishable quality and worthy of especially careful reading and consider a range of student interests.

The instructional materials reviewed for Grade 8 meet the criteria for anchor texts being of publishable quality and worthy of especially careful reading and consider a range of student interests. The core materials include texts in the majority of the units across the yearlong curriculum that are of publishable quality. Texts are well-crafted and content-rich, engaging students at the grade level for which they are placed. The texts include published texts, excerpts from published texts, and published authors. Texts can be examined multiple times for multiple purposes, such as building academic vocabulary and facilitating access to future texts. They offer personal perspectives on a variety of topics.

Examples of texts that demonstrate high quality include:

Unit 1

  • Excerpt from the Odyssey by Homer
  • "A Man" by Nina Cassian
  • "Where I Find My Heroes" by Oliver Stone from McCall's Magazine
  • "O Captain! My Captain!" by Walt Whitman

Unit 2

  • "Grant and Lee: A Study in Contrasts" by Bruce Catton
  • The Giver by Lois Lowry
  • Fahrenheit 451 by Ray Bradbury
  • "Private Eyes" by Brooke Charlton
  • "Parents Share Son's Fatal Text Message to Warn Against Texting & Driving" from the Associated Press; "The Science Behind Distracted Driving" from KUTV, Austin

Unit 3

  • Excerpt from Night by Elie Wiesel
  • Life is Beautiful, film directed by Roberto Benigni
  • Excerpt from Elie Wiesel's Nobel Peace Prize Acceptance Speech
  • Excerpt from Do Something! A Handbook for Young Activists by Vanessa Martir, Nancy Lublin, and Julia Steers

Unit 4

  • "Made You Laugh" by Marc Tyler Nobleman
  • Excerpt from Brothers by Jon Scieszka
  • "I've got a few pet peeves about sea creatures" by Dave Barry
  • "The Open Window" by Saki
  • "A Day's Work" from The Adventures of Tom Sawyer by Mark Twain
  • "Is Traffic Jam Delectable?" by Jack Prelutsky

Indicator 1b

4 / 4

Materials reflect the distribution of text types and genres required by the standards at each grade level.

The instructional materials reviewed for Grade 8 meet the criteria that materials reflect the distribution of text types and genres required by the standards. Grade 8 materials include texts that represent a balance of literary and informational readings and span multiple types of text, including poems, essays, articles, films, editorials, myths, novel excerpts, short stories, memoirs, novels, biographies, and autobiographies. Examples from each unit include:

  • In Unit 1, text types include novels, short stories, poetry, news articles, autobiography, and an essay. Examples include, but are not limited to:
    • Excerpt from A Wrinkle in Time by Madeleine L-Engle
    • "The Drummer Boy of Shiloh" by Ray Bradbury
    • "A Man" by Nina Cassian
    • "Soldier home after losing his leg in Afghanistan" by Gale Fiege
    • Excerpt from The Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass
    • "A Definition of a Gentleman" by John Henry Newman.
  • In Unit 2, text types include essays, short story, novel, and articles. Examples include, but are not limited to:
    • "Grant and Lee: A Study in Contrasts" by Bruce Catton
    • "Harrison Bergeron" by Kurt Vonnegut, Jr.
    • The Giver by Lois Lowry or Fahrenheit 451 by Ray Bradbury
    • "Banned Books Week: Celebrating the Freedom to Read"
    • "Private Eyes" by Brooke Charlton
    • "How the Brain Reacts" by Marcel Just and Tim Keller
  • In Unit 3, text types include memoir, poem, children's book, film, excerpted play script, novel excerpt, primary sources, and news articles. Examples include, but are not limited to:
    • Excerpt from Night by Elie Wiesel
    • "First They Came for the Communists" by Martin Niemoller
    • Terrible Things: An Allegory of the Holocaust by Eve Bunting
    • Life is Beautiful directed by Roberto Benigni
    • Excerpt from The Diary of Anne Frank by Frances Goodrich and Albert Hackett
    • Excerpt from The Boy in the Striped Pajamas by John Boyne
    • Excerpt from Elie Wiesel's Nobel Peace Prize Acceptance Speech
    • Excerpt from: Do Something! A Handbook for Young Activists by Vanessa Martir, Nancy Lublin, and Julia Steers
    • "Wangari Maathai" from BBC News
  • In Unit 4, text types include essays, satire, short story, novel, poetry, comedic skit, drama, informational text, and film. Examples include, but are not limited to:
    • "Made You Laugh" by Marc Tyler Nobleman
    • "Underfunded Schools Forced to Cut Past Tense From Language Programs" from The Onion
    • "The Open Window" by Saki
    • "A Day's Work" from The Adventures of Tom Sawyer by Mark Twain
    • "They Have Yarns" by Carl Sandburg
    • "Who's on First?" by Bud Abbott and Lou Costello
    • Excerpt from A Midsummer Night's Dream by William Shakespeare
    • "Fear Busters - 10 Tips to Overcome Stage Fright" by Gary Guwe
    • A Midsummer Night's Dream, film

Indicator 1c

4 / 4

Texts have the appropriate level of complexity for the grade according to quantitative analysis, qualitative analysis, and relationship to their associated student task.

The instructional materials reviewed for Grade 8 meet the criteria for texts having the appropriate level of complexity for the grade according to quantitative analysis, qualitative analysis, and relationship to their associated student task.

Grade 8 materials typically fall within the 6-8 grade level band (925L to 1185L) in terms of quantitative measures and are within the appropriate rigor range in terms of qualitative measures, which measure elements of language, concepts and themes, and take into consideration the depth of the text itself. When texts fall above or below these bands, there are appropriate accompanying reader and task elements that substantiate the rationale for the text's presence in the yearlong materials.

In Unit 1, the overall quantitative levels are 770-1230. Novel excerpts, poetry, and historical essays are qualitatively complex to very complex. Students work within single texts and compare/contrast components of the materials.

  • Activity 1.6: Text: The Odyssey by Homer. Lexile-1130. Qualitative: Moderate. Task Demand: Moderate-Analyze.
  • Activity 1.13: Text: The Narrative of The Life of Frederick Douglass, an American Slave by Fredrick Douglass. Lexile-1180. Qualitative: Moderate. Task Demand: Moderate-Analyze.

In Unit 2, the overall quantitative levels are 820-1590. Novels, poetry, and media articles are qualitatively complex and are coupled with activities that call for synthesizing evidence across texts.

  • Activity 2.16: Text:“Banned Books Week: Celebrating the Freedom to Read,” from the American Library Association. Lexile-1230. Complex. Qualitative: Low Difficuly. Task Demand: Accessible.
  • Activity 2.13: Text: "The Science Behind Distracted Driving" from KUTV Austin. Lexile-1040. Qualitative: Low Difficuly. Task Demand: Moderate-Analyze

In Unit 3, the overall quantitative levels are 610-1350. Thematically- and topically-organized film, poetry, novels, and articles fall into a broad range of qualitative complexity. Students engage in working across texts.

  • Activity 3.16: Text:from Do Something: A Handbook for Young Activists by Nancy Lublin with Vanessa Martir and Julia Steers. Lexile-950. Qualitative: Low. Task Demand: Accessible.
  • Activity 3.17: Text: “Wangari Maathai - Wangari Maathai rose to prominence fighting for those most easily marginalized in Africa- poor women.” Lexile-1200. Qualitative: Moderate Task Demand: Moderate.

In Unit 4, the overall quantitative levels are 900-1500. Satirical essays, exposition and explanatory pieces combine with poetry and are qualitatively accessible for students to negotiate working across texts. Tasks are integrated reading-writing-speaking-listening and synthesize skills and knowledge learned over the course of the school year.

  • Activity 4.4: Text:f“Underfunded Schools Forced to Cut Past Tense From Language Programs,” from The Onion. Lexile-1500. Qualitative: Moderate. Task Demand: Moderate-Analyze.
  • Activity 4.6: Text:from “Brothers,” by Jon Scieszka. Lexile-1110. Qualitative: Low. Task Demand: Moderate-Analyze.

Indicator 1d

4 / 4

Materials support students' increasing literacy skills over the course of the school year. (Series of texts should be at a variety of complexity levels appropriate for the grade band.)

he instructional materials reviewed for Grade 8 meet the criteria for supporting students’ increasing literacy skills over the course of the school year. (Series of texts should be at a variety of complexity levels appropriate for the grade band.) Series of texts are at a variety of complexity levels appropriate for the grade band.

Texts support students' increasing literacy skills over the course of the school year. The overall reading and writing demands gradually increase in complexity and challenges over the course of the school year as they incorporate previously-taught components and move students to synthesize literacy skills.

Students progressively build literacy skills through work with a variety of texts over the course of the school year. Texts sets are at various complexity levels, quantitatively and qualitatively, and therefore support learners as they develop literacy skills and background knowledge to support independent and proficient reading practices.

The overall reading and writing demands start at an accessible range in Unit 1 and gradually increase in complexity and challenges over the course of the school year. This range includes measures of quantitative and qualitative demand. Students encounter texts with lower quantitative demands at the beginnings of each unit as skills are introduced, and then they practice with increasingly complex texts as the units continue. For example, in Unit 1, early texts measure quantitatively at 770 and 960 Lexile, but at the end of the unit texts have a measure of 1130 and 1230. Coupled with the qualitative richness, these text sets provide a strong background for students to grow skills as they have access to grade-level texts. Online supports include Close Reading and Writer's Workshops which give students scaffolded instruction and multiple opportunities to access texts and gain experience in writing for different purposes and audiences.

Further student supports online allow students to access texts audibly. Print and online student editions provide grammar handbooks, explaining language standards, as well as a variety of reading and writing strategy explanations. The print and online teacher edition contains these resources as well, along with teaching tips, resources, and suggestions, such as extra grammar lessons, Teacher to Teacher tips, and adapt and extend opportunities for ELL, struggling, and advanced students. There are multiple opportunities during collaborative discussions, Literature Circles, and class presentations to practice speaking and listening skills.

Indicator 1e

2 / 2

Anchor texts and series of texts connected to them are accompanied by a text complexity analysis and rationale for purpose and placement in the grade level.

The instructional materials reviewed for Grade 8 meet the criteria that anchor texts and series of texts connected to them are accompanied by a text complexity analysis and rationale for purpose and placement in the grade level.

The materials contain core texts and supporting texts that are accompanied by a text complexity analysis and rationale for educational purpose and placement at grade level. The publisher includes a complete Text Complexity Analysis for each text used. This document includes a text description, a locator for where it is used, a section on context, a chart of the quantitative and qualitative measures, the qualitative considerations, the task and reader considerations, and the placement considerations.

In the online teacher edition, a complete text complexity analysis and rationale for that text's inclusion in the program is available. Included in the text analysis is a paragraph setting the context of the reading within the rest of the unit; a quantitative/complexity measure; qualitative considerations including purpose/levels of meaning, structure, language and knowledge demands; as well as task, reader, and grade level placement considerations.

In the forward of the print teacher edition, an explanation of the metrics used for text complexity measures is provided. Quantitative measures are indicated with Lexile scores. Qualitative measures are indicated as "high," "moderate," and "low" difficulty and were determined by teachers considering meaning, purpose, structure, language, and knowledge demands of each text. Task difficulty was measured using Anderson's and Krathwohl's taxonomy based on the cognitive demands of tasks associated with the text.

At the beginning of each unit, the teacher edition lists rationale for materials included in the Planning the Unit section through Context, College Readiness Standards, and Instructional Practices and Pacing. When texts appear to fall below the Grade 6-8 level band, a rationale is provided for justification. In the print teacher edition, Text Complexity Icons and information appear as sidebars alongside the beginning of all prose text in Grade 6 student and teacher editions.

Indicator 1f

2 / 2

Anchor text(s), including support materials, provide opportunities for students to engage in a range and volume of reading to achieve grade level reading.

The instructional materials reviewed for Grade 8 meet the criteria that support materials for the core text(s) provide opportunities for students to engage in a range and volume of reading to support their reading at grade level by the end of the school year.

There are numerous opportunities for students to engage in a range and volume of texts throughout the year. Furthermore, students are given many opportunities over the course of school year to practice oral and silent reading fluency, and self-monitor their progress. Materials include a breadth and depth of text types. Student and Teacher Editions contain an extensive list of suggested fiction and nonfiction texts, correlated to each unit’s theme, along with Lexile level, in the front of each unit. Students are instructed at beginning and midpoint of each of four units to select a text from the list, or a similar one of their own, corresponding to unit’s theme. Students keep a Reader’s/Writer’s Notebook through the course of the year’s study. There, they record connections between anchor text and text selected for independent reading. The journal also serves as a repository for self-reflection on the success of reading strategies employed; multiple reading for multiple purposes, rereading, visualizing, and summarizing. Students also use journal to monitor growth in reading fluency, but there isn't a consistent way for the teacher to track a students' growth. The texts provide ample opportunities for students to engage in a range and volume of reading to achieve grade level reading mastery. Additional support is given to struggling readers and English Language Learners, as well as extension opportunities for those reading above grade level. Online programs include Desmos and Linc, and all selections are available as audio versions for practice of oral fluency.

There are numerous opportunities for students to engage with a range and volume of texts throughout the year both in print and in mixed media. Suggested independent reading texts and support texts, when combined with anchor texts, provide a robust collection of opportunities for students to read broadly and deeply. Texts range in length and form from online articles to plays and novels.

As teachers monitor the progress of their students through the First Read portion of the lesson, they are guided to evaluate if the mode is effective for the students’ skills and for the complexity of the piece. The Teacher Wrap offers suggestions for how to make adjustments, such as Step 5 in Unit 1, Activity 1.13: “Based on the observations you made during the first reading, you may want to adjust your reading mode. For example, for the sermon, you may decide for the second reading to read aloud certain complex passages, or you may group students differently. For the poem, you might switch from choral reading to independent reading.”Through this monitoring and through the targeted intervention provided through the Foundational Skills Workshop, teachers are supported in “equipping students with the literacy foundations that will enable them to make progress in their challenging ELA coursework.”

The Teacher Edition Front Matter provides different ways to obtain knowledge and awareness of students’ strengths and weaknesses in reading through the Foundational Skills Workshop which offers Observational Look-Fors "to identify possible gaps in foundational reading skills when you observe students struggling with reading or writing task; Foundational Reading Skills Screening Assessment to get more detailed information about an individual student’s foundational reading skills; a Diagnostic Checklist and Individual Progress Monitoring Chart to make an individualized plan for foundational reading skills intervention; and a Group Planning Chart to plan small-group instruction for students who will benefit from the same intervention plan.” While the Foundational Skills Workshop includes teacher supports for understanding students' literacy gaps, the workshop does not provide ample supports for teachers to identify and assess the literacy gaps.

Students practice independent reading throughout the school year through the inclusion of two independent reading assignments with each Unit. Students establish their independent reading schedules as can be seen in Activity 1.3 and have the opportunity to relate their independent reading selections to the study occurring in class through Independent Reading Links such as the one in Activity 1.4: “Examine the opening chapter of your independent reading book and write about how it sets the context for the hero’s challenges. What mood does the author set in the opening of your book? How is it similar to or different from the mood that is set in the poem in this activity?”

Criterion 1.2: Alignment to the Standards with Tasks and Questions Grounded in Evidence

13 / 16

Materials provide opportunities for rich and rigorous evidence-based discussions and writing about texts to build strong literacy skills.

The SpringBoard Grade 8 instructional materials meet the criteria for alignment to the CCSS with tasks and questions grounded in evidence. Most questions, tasks, and assignments are text-dependent and require students to engage with the text directly and to draw on textual evidence to support both what is explicit as well as valid inferences from the text. The materials contain sets of high quality, sequenced, text-dependent, and text-specific questions with activities that build to a culminating task which integrates skills to demonstrate understanding. Culminating tasks are rich and varied, providing opportunities for students to demonstrate what they know and are able to do in speaking and/or writing over the year. The materials provide frequent opportunities and protocols for evidence-based discussions--small groups, peer-to-peer, whole class--that encourage the modeling and use of academic vocabulary and syntax, and most materials support students’ listening and speaking about what they are reading and researching (including presentation opportunities) with relevant follow-up questions and evidence. The instructional materials also include instruction of grammar and conventions and are applied in increasingly sophisticated contexts with opportunities for application context. The materials include a mix of on-demand and process writing ; short, focused projects incorporating digital resources where appropriate; and frequent opportunities for evidence-based writing to support analyses, well-defended claims, and clear information appropriate to the grade level. The program provides a variety of opportunities for students to write in the modes of argument, explanation, and narrative with writing assignments connected to texts and/or text sets.

Indicator 1g

2 / 2

Most questions, tasks, and assignments are text-dependent, requiring students to engage with the text directly (drawing on textual evidence to support both what is explicit as well as valid inferences from the text).

The instructional materials reviewed for Grade 8 meet the criteria that most questions, tasks, and assignments are text-dependent, requiring students to engage with the text directly (drawing on textual evidence to support both what is explicit as well as valid inferences from the text).

Teacher materials provide support for planning and implementation of text-dependent writing, speaking, and other activities. Every anchor and supporting text has a Second Read component that asks students to look at a particular section of the text, and complete a text-dependent activity. Questions students have about the text are recorded daily in students-required Reader’s/Writer’s notebook. The Teacher Wrap in both online and print teacher’s editions provides extensive guidance to teachers, as well as suggested answers to text-specific activities. Students record, revise, and edit their responses digitally with online text, and are encouraged to use digital tools such as Highlight, Note, Mark, Annotate, and Question to help with understanding. Further support is provided to students digitally through Zinc and Desmos.

Examples of text-dependent activities include:

In Unit 1, Activity 1.5, students read "The Drummer Boy of Shiloh" and use the annotation component to answer text-dependent questions:

  • "What textual evidence in the beginning of the story shows that the boy is afraid? The word ‘harvested’ is used figuratively in paragraph 10. How do you know it is used figuratively, and why did the author choose this word? Consult reference materials to find the meanings of 'ramrod' and 'flint.' Relate these words to the meaning of the sentence in paragraph 12. How does the sentence convey the boy’s mood? How did Joby join the army? What is significant about that? Consult reference material to find the meaning of the word 'drowse.' How does that word create a contrast in paragraph 44? What shift happens in paragraphs 44, 45, and 46? Use textual evidence in your answer. How does the general’s comment, ‘Do you know now you’re general of the army when the general’s left behind?’ prove to be a decisive moment in the conversation between him and Joby?" These questions are comprehensive, but they are surface-level and do not dive deeply into textual analysis or synthesis."
  • "Summarize the Departure Stage of the Hero’s Journey as it relates to Joby in 'The Drummer Boy.' Embed at least one direct quotation in your summary to strengthen your response." This does not require an in-depth analysis for the text as multiple direct quotations can be chosen.
  • Students complete a graphic organizer after being instructed to "Reread a chunk of the text to identify and evaluate the narrative elements listed. Now that you have identified and evaluated the narrative elements of the story, determine its central idea. Write a summary of the central idea, supporting your interpretation using evidence from the text. Explain how the author communicates the idea that Joby is now ready to start his journey.” The graphic organizer asks students to provide evidence to support their analysis of the text; however, clear guidance is not provided for students to note if they have strong evidence to support their claim.

In Unit 2, Activity 2.3, students read "Harrison Bergeron" and follow the same type of annotation to complete a close read using Key Ideas and Details and Craft and Structure questions. Following the Second Read questions, students complete a chart in which they provide an interpretation of the questions “What ‘ideal’ is the society based upon? What did the society sacrifice in order to create this ‘ideal’ life? How was this utopian ideal transformed into a dystopian reality? What new problems were created?” and must support their interpretation with evidence. At the end of the Activity, students are given a comprehension question: "How does “Harrison Bergeron” convey the conflict between the needs or ideals of society and the realities of individuals? Be sure to provide examples from the text and use at least one direct quotation to support your ideas, include a reference to utopia and dystopia, [and] use active voice unless you choose passive voice for a certain effect."

In Unit 3, students read multiple texts that explore the history of the Holocaust and select people who have worked to make a difference. When reading an excerpt from The Boy in the Striped Pajamas in Activity 3.11, students use the annotation prompts as they read. Many of the questions ask students to refer back to the text: "Analyze the description and dialogue. Why is the watch so important to Shmuel? What does it symbolize for him? What inferences can you make about the setting? Provide details that help form your inferences.”Additionally as seen in the Teacher Wrap for this activity, teachers are provided with the means for supporting student comprehension in the Leveled Differentiated Instruction Box: “Support students’ comprehension by asking them to make predictions. Have them read through paragraph 15 and then stop to fill the left side of a Venn diagram with their predictions. After they finish reading, have them fill out what actually happened in the right side of the Venn diagram. Matches can be moved to the overlapping section.”

In Activity 4.2 students read the text, "Made You Laugh" by Marc Tyler Nobleman and respond to questions such as, "What is the author’s argument in this essay? Cite specific evidence from the text in your response."

Indicator 1h

1 / 2

Sets of high-quality sequences of text-dependent questions and tasks build to a culminating task that integrates skills (may be writing, speaking, or a combination).

The instructional materials reviewed for Grade 8 partially meet the criteria for having sets of high-quality sequences of text-dependent/specific questions and tasks build to a culminating task that integrates skills (may be writing, speaking, or a combination).

Sets of text dependent questions build to culminating tasks throughout the school year. Culminating tasks frequently integrate literacy skills ( tasks may focus on writing or speaking) and provide students opportunities to demonstrate what they know and are able to do in speaking and writing. Culminating tasks happen at the midpoint and endpoint of each of four units, eight in all.

Following are samples representative of the culminating tasks in the Grade 8 resources. Skills development, particularly in writing, is strong. Materials refer to culminating tasks as Embedded Assessments. Students are exposed to the demands of these assessments at beginning and midpoint of each unit, and there is extensive support throughout the unit for students at all levels. Culminating tasks connect with texts consistently, although the central focus of these productions does not always privilege the learning within the texts. Connections to the texts studied are not always explicit or robust.

Examples of the culminating tasks include:

  • In Unit1, Embedded Assessment 1.1: Write a Hero's Journey Narrative. This task represents a culmination of student learning throughout the first half of Unit 1 as previous text-dependent tasks have focused on learning the elements of narrative text and the content of a hero's journey. For example, students learn how to write effective narratives through an “[examination] of the opening chapter of [their] independent reading” selection, an examination of the Hero’s Journey archetype structures using print and non-print text in Activities 1.2, 1.4, 1.5, 1.6, and 1.7, and drafting, revising, and illustrating an original Hero's Journey archetype. After collaboration in writing groups, students will publish their story and reflect on their learning.
  • In Unit 2, Embedded Assessment 2.2: Write an Explanatory Essay. The sequence of text-dependent tasks throughout the unit support student success with this assessment as students write a compare/contrast response to expository text using textual evidence to support a central idea in Activity 2.2, read informational and classic literary texts and use evidence from these texts in a written response to literature, and engage in a study of two novels concurrently, examining and making connections among literary elements and engaging in related discussion. Students work with texts throughout the process as models to support their understanding of the expository essay. Additionally, the materials in the second half of Unit 2 focus on supporting writing with tasks that require students to analyze a model argumentative essay, marking the text for the claim, evidence, reasoning, and counterclaims; use the steps of research process to write a research question; locate and evaluate sources; and use a writer's checklist to outline and write the argumentative essay.
  • In Unit 3, Embedded Assessment 3.2: Presenting a Multimedia Campaign. This culminating task reflects student learning from this unit guided by a series of text-dependent tasks focused on the use, purpose, and impact of media. Students study visuals from public service announcements in Activity 3.14 to analyze purpose and effect, read images and slogans from various websites to evaluate how media enhances presentation of information, and apply this understanding to an analysis of written texts to discover purpose, audience, tone and argumentative elements of a speech. Additionally, students analyze informational texts and websites about efforts that have made a difference, explaining how specific media types appeal to different target audiences. In this example, students merge understanding of the texts themselves with the forms and modes in which they are developed to make meaning.
  • In Unit 4, Embedded Assessment 4.1: Writing an Analysis of a Humorous Text. Throughout the unit, text-dependent tasks are sequenced to culminate in this task. Students analyze the complexity of humor by reading closely and writing an objective summary of informational text in Activity 4.2, engaging in a close read of film and literary text, analyzing how speakers and authors use anecdote and satire to create humor, and use Socratic Seminar techniques (Activity 4.5) to explain theme through humor. Students continue to deepen their knowledge and build writing skills as they evaluate a sample student essay in Activity 4.11 and conduct research to build background knowledge. To develop their own culminating task, students must have a strong understanding of the texts and tasks that precede the assignment.

Indicator 1i

1 / 2

Materials provide frequent opportunities and protocols for evidencebased discussions that encourage the modeling and use of academic vocabulary and syntax. (May be small group and all-class.)

The instructional materials reviewed for Grade 8 partially meet the criteria for materials providing frequent opportunities and protocols for evidence-based discussions (small groups, peer-to-peer, whole class) that encourage the modeling and use of academic vocabulary and syntax.

Students are provided opportunities for collaborative discussion using pair-share, small group discussion, jigsaw, whole class discussion, and Socratic seminars; however, discussion protocol and clear teacher guidance is not evident. Strategies are listed and defined. There is little guidance or direction for teachers and students. Strong guidance regarding the utilization of academic vocabulary and syntax is not present.

Each unit offers opportunities to engage with academic vocabulary in three separate differentiated lessons associated with the texts of the unit as well as in preliminary activities where students create a QHT (Questions, Heard, Teach) chart for the academic vocabulary they will encounter in the unit, which are provided in the Contents section of each unit. While academic and content specific vocabulary is listed in the beginning of each unit, and definitions are provided at point of use and in glossaries in the student and teacher edition, with audio available in Springboard Digital, the focus on vocabulary building resides in the process and does not focus deeply into apply academic vocabulary in a larger context. Additionally, to support ELL students, teachers are provided a list of cognates for the unit in the Planning the Unit section of their text and in Springboard Digital, and the textbook contains a glossary with first the English word and definition followed by its Spanish counterpart.

Examples of opportunities for evidence-based discussions include, but are not limited to:
  • In Unit 1, Activity 1.5a, students work in groups to complete the Academic and Social Language Preview associated with “The Drummer Boy of Shiloh” in Activity 1.5. The Teacher Wrap provides guidance for grouping students to collaborate on the study and review of this academic vocabulary. Similar opportunities are provided in Activity 1.6a for The Odyssey in Activity 1.6 and in Activity 1.13a for the collection of texts in Activity 1.13. There is no evidence of how teachers will encourage students to engage with this Academic Vocabulary in future text-based discussions after the culmination of this Lesson.
  • In Unit 2, Activity 2.3: Language and Writer’s Craft: Embedding Direct Quotations, students study examples of paraphrases and direct quotations embedded in a paragraph and complete a chart “citing evidence by embedding quotes from the text” before engaging in a class discussion over their charts and use of direct quotations.
  • In Unit 2, Activity 2.6, students are introduced to the concept of the Socratic Seminar and the rules of collegial discussion before engaging in a Socratic Seminar over the texts leading up to this activity and their in-class novel.
  • In Unit 4, Activity 4.1, students are guided to complete a QHT chart for the academic vocabulary introduced on the Contents page of the unit as they are in all of the units, but given the additional goal of being able “to move all words to the ‘T’ column [comfortable enough to teach] by the end of the unit.” There is no evidence of how teachers will encourage students to engage with this Academic Vocabulary in future text-based discussions or practice teaching these words after the culmination of this Lesson.
  • In Unit 4, Activity 4.15c: Interact in Meaningful Ways: Academic Collaboration, students work with a partner or in small groups to ask and answer questions about a dramatic scene from A Midsummer Night’s Dream “in collaborative conversations, demonstrating active listening, and drawing upon an expanding pool of language resources for discussing literature” and to “express and support opinions of the scene in conversation.” Students are provided ways of discussing the text through the provision of sentence starters for their responses to each of the questions. There is no further direction provided.

Indicator 1j

1 / 2

Materials support students' listening and speaking about what they are reading and researching (including presentation opportunities) with relevant follow-up questions and supports.

The instructional materials reviewed for Grade 8 partially meet the expectations for indicator 1j. Materials supporting students’ listening and speaking about what they are reading and researching (including presentation opportunities) with relevant follow-up questions and supports. In every speaking and listening activity, the students are asked to use evidence from the text at hand, although main ideas and core themes may not be explored consistently.

Materials develop students' skills with focused discussions such as Socratic Seminars and Literature Circles, in which students participate in speaking and listening that is grounded in their reading and researching, and although the students are asked to use evidence from the text at hand, main ideas and core themes are not consistently explored.

Speaking and listening tasks and activities in the Grade 8 materials include active listening, audience, choral reading, clarity of pronunciation and speaking voice, debate, philosophical chairs, drama games, expert group, eye contact, facial expression, feedback, fishbowl strategy, group discussions, inflection, jigsaw group, literature circles, movement, multimedia presentations, oral interpretation, oral introduction, oral presentation, oral reading, pantomime, props, rate, reader's theater, rehearsal, role playing, sound, tableau, tone, visuals, and volume. The index directs students to where they can find text references and instruction of speaking and listening skills.

Although each activity is intended to be anchored by the text, it is noted that there is little accountability for teachers to support students who either do not comprehend the material and/or who work with the speaking and listening activities without referencing the text.

  • In Unit 1, Activity 1.8, students participate in collaborative discussions. Teacher assigns specific roles and goes over guidelines and discussion protocols. The instructional focus is on learning the protocols in preparation for the editing and revising of their hero narrative. Teachers are guided in ways to assess student understanding in the Teacher Wrap by having them ask students to “summarize the assignment and guidelines for each ‘job’" and to “make sure students understand that revision and editing are two distinct steps in the writing process [by asking] a variety of students to state the differences in their own words.” If students need additional practice with this skill, the Adapt suggestion in the Teacher Wrap provides the suggestion that teachers have students “work in pairs to revise and edit short paragraphs in their Reader/Writer Notebook.” While this speaking and listening work is connected to texts, the overall focus is on the act of speaking versus in service of comprehending the texts at hand.
  • In Unit 1, Activity 1.10, students present findings to class about tone, using outline frames to prepare for presentation. When other groups are presenting, students are instructed to listen and take notes. The Teacher Wrap recommends as students are creating their charts prior to their presentations that teachers “circulate to check for understanding and to clarify confusion.” Focused support for the teacher does not consistently support what to do should students demonstrate misunderstanding.
  • In Unit 2, Activity 2.6, students contribute analysis and evidence relating to the assigned topic in a Socratic Seminar. Oral discussion sentence starters are provided, and students set two specific and attainable speaking and listening goals. In the Teacher Wrap, teachers are provided with suggestions for ensuring balanced sharing during the Socratic Seminar. This focus is, again on the actions but less focused on assuring comprehension of the texts.
  • In Unit 3, Activities 3.9-12, students work collaboratively to present an effective oral reading. They apply analysis of Holocaust narratives by transforming selection of text to a found poem they present to class. During panel discussions, students evaluate quality of students' interpretation of evidence. The Teacher Wrap provides guidance for teachers in monitoring students progress and adapting the assignment to ensure understanding. In this instance, teachers are provided more targeted support to assure students' comprehension.
  • In Unit 4, Activities 4.16-20, students form acting companies and rehearse. Acting companies participate in dress rehearsal. Individuals reflect and plan to address strengths and challenges as a performer. The Teacher Wrap provides guidance for teachers in monitoring and assessing students progress such as in Activity 18 where teachers are instructed to “work with each group” as they plan their action sequences to make sure they “are on the right track” and to “review student work in the graphic organizer” and “observe if students are able to demonstrate their analysis through an improved commitment to their character as they rehearse.” Directions for teachers here support their focus on the text alongside the action of speaking and demonstration.

Indicator 1k

2 / 2

Materials include a mix of on-demand and process writing (e.g. multiple drafts, revisions over time) and short, focused projects, incorporating digital resources where appropriate.

The instructional materials reviewed for Grade 8 meet the criteria that materials include a mix of on- demand and process writing (e.g., multiple drafts, revisions over time) and short, focused projects, incorporating digital resources where appropriate.

Grade 8 materials provide opportunities for students to complete different modes of writing. On-demand writing occurs throughout the year in almost every Activity and is bolstered by almost-daily practice with annotation work. Process writing is scaffolded over the course of the school year and is a core component of the program. Materials include writing instruction aligned to the standards for the grade level, and writing instruction spans the school year.

The student edition includes writing instruction on skills such as brainstorming, controlling ideas, details, dialogue, drafting, editing, evaluating, providing feedback, outlining, planning, prewriting, quick writes, research, revision strategies, multimedia components, writing process, writing prompts. The Planning Unit section of the teacher’s edition provides an explanation of expectations of Embedded Assessments, as well as a comprehensive Instruction and Pacing Guide. A Writers Workshop is available online for extra support.

Examples include, but are not limited to:

  • In Unit 1, Activities 1.2-4, students engage in on-demand writing by practicing transforming written imagery and detail into illustrations. Students complete this type of writing repeatedly throughout the unit.
  • In Unit 1, Activities 1.5-8, students use process writing over ten class periods, as they draft the beginning and middle of a narrative, work in writing groups to create a writer's checklist, provide specific feedback for revision and editing, and continue to revise as they draft the end of the narrative.
  • In Unit 1, Embedded Assessment 1, students again engage in process writing by, following collaboration with writing groups to strengthen writing through revision and editing, students write a narrative, publish, and reflect on writing.
  • In Unit 2, Activity 2.2, students write on-demand by writing a compare/contrast response to informational text.
  • In Unit 2, Activity 2.3, students practice embedding direct quotations and apply learning by writing a response to literature in an on-demand prompt.
  • In Unit 2, Embedded Assessment 1, after working through stages of writing process and collaborative writing groups, students write an expository essay, publish, and reflect.
  • In Unit 2, Activities 2.12-16, students write debatable claims, conduct and cite research, create annotated bibliography, and form and support claims, using research.
  • In Unit 3, Activities 3.4-5, students write on-demand by responding to an expository writing prompt to analyze how themes in multiple genres connect.
  • In Unit 3, Activities 3.6-8, students use process writing to conduct research from websites, researching a specific Holocaust victim. Work in collaborative groups to transform research into talking points for panel discussion.
  • In Unit 4, Activities 4.2-3, students write on-demand a summary of informational text and again in Activities 4.8-10 in response to expository writing prompts.
  • In Unit 4, Embedded Assessment 1, students use process writing to write an analysis of a humorous text by writing a multi-paragraph essay, working through all stages of writing process, publishing, and reflecting.

Indicator 1l

2 / 2

Materials provide opportunities for students to address different text types of writing that reflect the distribution required by the standards.

The instructional materials reviewed for Grade 8 meet the criteria that materials provide opportunities for students to address different text types of writing that reflect the distribution required by the standards.

Grade 8 materials have students work with different types of writing tasks, learning and practicing in different genres/modes as outlined by the standards for Grade 8.

Examples include, but are not limited to:

  • In Unit 1, writing opportunities include writing a narrative (a "hero's journey") in Embedded Assessment 1.1 and a definition essay in Embedded Assessment 1.2.
  • In Unit 2, writing instruction includes writing an expository essay in Embedded Assessment 2.1 and argumentative essay in Embedded Assessment 2.2.
  • In Unit 3, writing instruction includes an analysis of a narrative text in Activity 3.5 and an argumentative essay in Activity 3.15.
  • In Unit 4, writing instruction includes an analysis of humorous text via expository/explanatory essay in Embedded Assessment 4.1.

Component parts of different modes and genres are taught in mini-lessons and tasks, such as analytical paragraph writing, conducting research, literary and expository text and script writing, and literary analysis. Multimedia integration is encouraged in many of the culminating tasks, and there are samples and links encouraging students to practice different forms of presentation to share their writing.

Indicator 1m

2 / 2

Materials include frequent opportunities for evidence-based writing to support careful analyses, well-defended claims, and clear information.

The instructional materials reviewed for Grade 8 meet the criteria that materials include frequent opportunities for evidence-based writing to support careful analyses, well-defended claims, and clear information.

Grade 8 materials include frequent opportunities for evidence-based writing to support careful analyses, well-defended claims, and clear information. In addition to requiring text-based evidence in responding to questions for each selection, there are many opportunities for evidence-based writing.

Students use writing practice as a way to build meaning via annotation and are engaged with text-specific writing prompts along the way (answered via typing online or writing in the consumable textbook). Writing tasks often reference the reading content and mode in which the reading was presented. As students study a text for form and content, students are provided prompts and guidance to identify the components and then practice replicating or analyzing those components. Writing tasks sometimes attend to the "bigger picture" of the learning objective or require students to go outside a text (questions such as "What is a pun? What are some examples?" are found in Unit 4 as students study comedy and satire).

Across the consumable student edition, there are graphic organizers and note-taking prompts to assist students in producing writing associated with the texts being read. Prompts include questions that are dependent on the text, but used with multiple texts, as well as text-specific writing demands. In the sidebars of the student consumable, students are provided organized space and guidance to annotate and collect evidence to use in the writing tasks at the ends of each text and/or section.

Most writing tasks explicitly require students to cite components of text in the writing. In short questions and tasks, students are reminded to "provide textual evidence to support interpretation." In graphic organizers students are provided frames to select and organize evidence and practice citation rules.

Examples include, but are not limited to:

  • In Unit 1, Activity 1.7, students “Identify steps in the Hero’s Return. Mark the text to indicate evidence of each step."
  • In Unit 1, Activity 1.12, students are asked "How does Stone use the example strategy to support definition? Cite textual evidence to support your analysis."
  • In Unit 1, Activity 1.13, students “Explain how Abraham Lincoln and Frederick Douglass were heroic... Provide [specific and relevant facts, details, examples and quotations from anthology to support topic sentence and thesis and] to develop ideas."
  • In Unit 3, while students read the "Address by Cesar Chavez, President United Farm Workers of America, AFL-CIO" in Activity 3.19, they are prompted to answer these questions using evidence: "What is the claim Cesar Chavez is making? Summarize the logic of Chavez's argument about the relationship between human health and pesticides. How has the author depended on logical reasoning and relevant evidence? How does Cesar Chavez satisfy the call to action part of the argument he is making?"
  • In Unit 4, Activity 4.4, a graphic organizer is included that supports students' eliciting evidence from the story "Brothers" by Jon Sziescka. After completing the organizer, students practice writing analytical topic sentences using specifics from the organizer. This progression of working from reading to note-taking to organizer to frame to writing is common throughout the program.

Indicator 1n

2 / 2

Materials include explicit instruction of the grammar and conventions standards for grade level as applied in increasingly sophisticated contexts, with opportunities for application both in and out of context.

The instructional materials reviewed for Grade 8 meet the criteria that materials include explicit instruction of the grammar and conventions standards for grade level as applied in increasingly sophisticated contexts, with opportunities for application both in and out of context.

Grade 8 materials include language skills that are taught explicitly and then applied in increasingly sophisticated contexts. Grammar and conventions are taught in a sequence consistent with the demands of Grade 8 standards and are integrated with reading and writing instruction.

Language standards for the grade level are found in forward of student edition. The student edition has a comprehensive grammar handbook in the back of the book for continual reference, as well as an Index of Language Skills identifying where instruction can be found in text. This handbook can also be found in both the student and teacher online editions. The Teacher Resources Online also have additional grammar lessons. In addition, there are ten separate Writer's Workshops online that incorporate grammar and language instruction. The Planning the Unit section at the beginning of each unit, in the teacher's print edition, lists expectations for Embedded Assessments as well as a comprehensive Instructional Activity and Pacing Guide that provides grammar support and instruction in the context of actual reading and writing.

Each unit of instruction contains specific Language and Writer's Craft features. Students are encouraged to devote a section of their Reader/Writer Notebook to study of language and grammar. Writing Workshop Scoring Guides and additional writing prompts provide additional opportunities for students to demonstrate command of conventions.

Some language work is embedded, so students encounter it in context, with guidance such as the note in Activity 2.2 that engages students as they read “Grant and Lee: A Study in Contrasts” to "Note the usage of the conditional mood in paragraph 9: 'If the land was settled … he could better himself.' How does the use of the conditional support the main idea of this paragraph?" These Grammar and Usage prompts connect with lessons throughout the units.

Embedded in the workshops and tasks are specific lessons focusing on language. Lessons include definitions and practice, usually intended for students to apply new learning to their writing. All lessons are woven into culminating writing tasks for application.

Examples include:

Unit 1

  • Activity 1.7: Prepositional phrases
  • Activity 1.11: Appositives

Unit 2

  • Activity 2.2: Conditional tense
  • Activity 2.3: Conventions-ellipses and brackets usage, active and passive voice, embedding direct quotes
  • Activity 2.6: Imperative and interrogative

Unit 3

  • Activity 3.2: Analyzing roots and affixes
  • Activity 3.4: Participle verb forms
  • Activity 3.10: Pronoun antecedents, punctuation using ellipses, colons, exclamation points, dashes, and parentheses
  • Activity 3.19: Verb tenses-present progressive, using fragments for effect

Unit 4

  • Activity 4.4 Verbals-participles, infinitives, and gerunds
  • Activity 4.6: Active voice and passive voice
  • Activity 4.8: Word connections: multiple meanings, word relationships; Grammar and Usage: connotation and denotation
  • Activity 4.15: Performance using punctuation cues consistently and naturally to inform vocal delivery