2018
Mirrors & Windows: Connecting with Literature

10th Grade - Gateway 2

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Gateway Ratings Summary

Building Knowledge

Building Knowledge with Texts, Vocabulary, and Tasks
Gateway 2 - Partially Meets Expectations
56%
Criterion 2.1: Materials build knowledge through integrated reading, writing, speaking, listening, and language.
18 / 32

The instructional materials reviewed for Grade 10 partially meet the criteria that materials build knowledge through integrated reading, writing, speaking, listening, and language. Materials do not meet the criteria that texts are organized around a topic or theme/topic or themes to build students’ knowledge and their ability to read and comprehend and analyze complex texts proficiently. While there are some targeted questions and series of questions for students that promote students’ ability to draw conclusions and cite textual evidence, determine theme, and analyze point of view, they do not promote students' building knowledge of the content and texts. Students are presented with text-dependent and text-specific questions; however, the questions do not require students to build knowledge across the text. Culminating tasks do not require students to demonstrate knowledge of a topic, nor do they integrate skills. Materials include vocabulary over the course of a school-year, but there is no cohesive plan for students to interact with and build key academic vocabulary words in and across texts. Materials include a variety of resources and supports to provide a year-long, cohesive plan of writing instruction and tasks. Materials provide frequent opportunities for students to engage in research activities that support the understanding of texts and topics within texts. Materials meet the criteria that materials provide a design, including accountability, for how students will regularly engage in a volume of independent reading either in or outside of class.

Criterion 2.1: Materials build knowledge through integrated reading, writing, speaking, listening, and language.

18 / 32

Indicator 2a

0 / 4

Texts are organized around a topic/topics or themes to build students' knowledge and their ability to comprehend and analyze complex texts proficiently.

The instructional materials reviewed for Grade 10 do not meet the criteria that texts are organized around a topic or theme/topic or themes to build students’ knowledge and their ability to read and comprehend and analyze complex texts proficiently.

The materials are organized by units consisting of broad genres: fiction, nonfiction, poetry, drama, folk literature, and independent reading. A quote at the beginning of each unit is intended to give insight into the collection of literature in the unit. Along with the quote are guiding questions and commentary that are meant to expand upon the quote. While the quote, questions, and commentary at the beginning set the stage for defining a theme or topic, the texts throughout the unit do not consistently connect back to them.Many of the texts in the unit do not relate to each other with a common theme or topic, and students do not build knowledge to help them better read complex texts. Many of the Mirrors & Windows questions focus on text-to-student understanding, rather than the text, and they are not building the student's textual knowledge.

In Unit 2, Nonfiction, students are presented with the following in the Unit 2 Overview: “A natural disaster takes the lives of tens of thousands of people. One couple's stand against racism changes a nation. Two families in different parts of the world suffer through the same war. These are just some of the real people and events you will discover in this unit. As you read, you will look at the world through someone else’s eyes--eyes not too different from your own.” While there are questions presented at the beginning of the unit, the questions themselves, along with the commentary, fail to identify an actual topic or theme; a topic or theme is hinted at, but the presumed topic or theme is not clear. Students read “Montgomery Boycott,” an excerpt from Coretta Scott King’s memoir. In the Annotated Teacher’s Edition, instructors are presented with the following Mirrors & Windows task prior to students: “The Mirrors & Windows questions at the end of this selection encourage students to consider the theme of great leaders facing fear. To prepare students to answer these questions, ask them to name great leaders from history and discuss fears these people may have had.” Students, at the end of the reading selection, are presented with the Mirrors & Windows question: “‘Fear was an invisible presence at the meeting, along with courage and hope.’ When have you been both fearful and courageous at the same time? What does it mean to you that tremendous leaders like Martin Luther King Jr. also experienced fear?” The preceding questions are focused on text-to-student connections in lieu of building textual knowledge.

In Unit 4, Drama, students begin with a quote at the beginning of the unit: “Drama is life with the dull bits cut out.” Included with the quote are guiding questions and a suggestion for students to approach reading the texts in the unit: “Have you ever seen in someone an unquenchable desire for fame or greatness? Think about a story on the news that made you ask, ‘What was that person thinking?’ Most of the plays you will read in this unit were written long before you were born, but you’ll find as you read them that even though times have changed, the desires and behavior of human beings have not.” Each of selections has its own Mirrors and Windows questions for the students to explore. For example, A Marriage Proposal is about marriage. The Teacher’s Edition suggests that teachers “ask students the following: What do you think people in late-1800s Russia wanted out of marriage? Is it different from what people expect today? Ask them to read to find out why the people in the play want to get married.” The Mirrors and Windows question at the end of A Marriage Proposal asks students to tie the selection in with marriage: “What do you think makes for a good marriage? How has the thinking about what makes a good marriage changed over time? Will Lomov and Natalia have a good marriage?” Again, the preceding questions are focused on text-to-student connections in lieu of building textual knowledge.

In Unit 6, Independent Reading, students are introduced to the following guiding questions: “What is your opinion about reading? What do you prefer to read: novels, comic books, or scientific journals? Being able to read well is a skill that is essential to all walks of life. The selections in this unit are for you to read independently. As you read, remember to use the strategies and skills you've encountered in previous units.” Students independently read “Geraldine Moore the Poet,” a short story by Toni Cade Bambara. The Mirrors & Windows focus questions at the beginning of the text asks students, “What is the purpose of poetry? What should poetry express? Does everyone have the ability to write good poetry? Why or why not?” The Mirrors & Windows focus questions at the end of the text, asks students, “Try expressing what is it like to be…. to be…. alive in this…..this glorious world. Is Mrs. Scott correct in her ideas about the purpose of poetry? What would you say to someone who thinks art and literature have nothing to do with the problems of everyday life?” While these questions are engaging, students are not necessarily building knowledge, and the teacher will need to supplement with additional texts and questions to deepen knowledge.

Indicator 2b

2 / 4

Materials contain sets of coherently sequenced higher order thinking questions and tasks that require students to analyze the language (words/phrases), key ideas, details, craft, and structure of individual texts in order to make meaning and build understanding of texts and topics.

The instructional materials reviewed for Grade 10 partially meet the criteria that materials contain sets of coherently sequenced questions and tasks that require students to analyze the language (words/phrases), key ideas, details, craft, and structure of individual texts in order to make meaning and build understanding of texts and topics.

While there are some targeted questions and series of questions for students that promote students’ ability to draw conclusions and cite textual evidence, determine theme, and analyze point of view, they do not promote students' building knowledge of the content and texts. There are few questions that support students in analyzing author’s language and word choice. The questions that do focus on language and structure do not support students to analyze its effect on the text.

In Unit 2, students read a passage from “My Left Foot.” Sequenced sets of questions provide students practice with re-reading and include the following:

  • “To what does Brown compare his brothers and sisters?” A metaphor is used, and students must have the skills to identify and interpret the metaphor.

  • Students make a prediction: “What do you think will happen to change Brown’s life?”

  • Students close their eyes and visualize a scene that is described in the passage.

  • In the Refer to Text Reason with Text section, students first list details that Brown gives about his birth, and then students explain the passage.

In Unit 3, students read “I Am Offering This Poem,” a poem by Jimmy Santiago Baca; this poem is presented as a Close Reading Model. As students read Baca’s poem, they reference questions within the margins that address specific parts and aspects of the text that build and develop students’ understanding and set teachers up for more success guiding students to academic vocabulary practice. For example:

  • “Use Reading Strategies (Visualize): Picture each image in your mind as you read. What feelings do the images create inside you?

  • Analyze Literature (Analogy): An analogy is a comparison of two things that are alike in some ways but otherwise quite different. In lines 1 - 13 what four items does the speaker compare to the gift of the poem? How effective are these four analogies?

  • Use Reading Strategies (Make Inferences): Why is the metaphorical cabin or hogan “tucked away” in the trees?

  • Analyze Literature (Image and Imagery): Which images do you find the most powerful? Why?”

In Unit 4, students read the Julius Caesar, by William Shakespeare. During reading, strategies are reviewed throughout the unit, such as ask questions, make predictions, visualize and make inferences. After reading the play, students answer the following questions in the After Reading Refer to Text Reason with Text section: “Distinguish whose armies are fighting during the battle. What is the outcome of the battle? What happens to Brutus and Cassius? State what Brutus and Cassius say to each other at end end of Scene I. Quote what Brutus says when he dies. To whom does he say it to?” These questions will yield comprehension information for teachers, but do not require students to consider anything beyond surface-level information.

In Unit 5, students study Reading Folk Literature Independently. This section within Unit 5 prepares students’ reading skills and provides a framework for reading folk literature. These "checklist" questions will help aid in students' general comprehension of the texts, but the teacher will need to add more to support students in growing knowledge and/or doing deeper analysis of vocabulary and text components: "From which culture does this tale come? Who are the characters in this tale? Which supporting details describe the characters? Where does the narrator or author seem to make judgements about the characters or their actions?" After reading, students answer: "What is the final result of the tale? What seems to be the main message of the tale?”

Indicator 2c

2 / 4

Materials contain a coherently sequenced set of text-dependent and text-specific questions and tasks that require students to build knowledge and integrate ideas across both individual and multiple texts.

The instructional materials reviewed for Grade 10 partially meet the criteria that materials contain a coherently sequenced set of text-dependent and text-specific questions and tasks that require students to build knowledge and integrate ideas across both individual and multiple texts.

In the curriculum, students are presented with text-dependent and text-specific questions; however, the questions do not require students to build knowledge across the text. Included are some text-dependent questions for each selection in the form of During Reading questions and After Reading questions. The During Reading questions require only a surface amount of knowledge to complete. The After Reading questions are broken into Refer to Text and Reason with Text questions. The Refer to Text questions require surface knowledge of the text. The Reason with the Text questions are designed to increase in complexity from understanding, applying, analyzing, evaluating, and creating; however, these questions comprise a small percentage of the questions and tasks that students are required to address.

Most questions and tasks do not require that students refer to the text, and it is unclear how the questions work to build knowledge across an individual text. Each unit includes two texts that are paired with the intention of teaching literary elements across texts. The individual paired texts have text-dependent questions at the end, but there is only one question that asks the students to compare the texts, and the question does not promote a deep analysis of the texts. There are other text-to-text connections established in the units, but the questions about these connections do not require an analysis of the integration of ideas.

The Mirrors & Windows questions are mainly text-to-student questions, where students are not required to read the text in order to be able to respond. The Annotated Teacher’s Edition presents verbal questions within the outside band as students are reading, but students are not practicing questions independently or in groups. The Exceeding the Standards and Meeting the Standards supplemental resources offer additional, yet limited, activities within the unit to compare a set of texts. Various texts within the units have student writing, speaking, and researching tasks for evidence of students’ need to perform analysis of texts to complete quality cumulative assignments and tasks.

In Unit 1, Fiction, students read and compare two texts: “Catch the Moon” by Judith Ortiz Cofer and “Two Kinds” by Amy Tan. At the end of the second text, students are asked these comparison questions: “What traits do the main characters of each story have in common? How are they different? Compare the relationships between Luis and his father and Jing-mei and her mother. How do these relationships help characterize Luis and Jing-mei?”

In Unit 2, Nonfiction, students read an excerpt from the autobiography My Left Foot by Christy Brown. At the end of the selection, students are asked text-dependent questions. In order to Refer to the Text, students are asked to “Name the character traits of Brown’s mother.” To further Reason with the Text, students are asked to “Describe how Brown feels about his mother. Use evidence from the text to support your answer.”

In Unit 3, Poetry, students read two lyric poems: “Eating Alone” by Li-Young Lee and “The Floral Apron" by Marilyn Chin.

  • In Compare Literature: Setting and Mood, student are asked: “In these two poems, what similarities and setting can you identify? What are some of the differences? In 'Eating Alone,' how would you describe the mood of the whole poem? In 'The Floral Apron,' at what point is there a shift in mood? How does the shift contribute to the meaning of the poem?”

  • In Extend the Text, Writing Options: Creative Writing, students are asked: “Imagine that the speakers in 'Eating Alone,' and 'The Floral Apron,' meet at a dinner party and begin to discuss their childhood experiences with each other. Write a dialogue for these characters, and comment on the significance that these recollections have for them.” Informative Writing: “Research the background and family histories of Li -Young Lee and Marilyn Chin more fully, using library and internet sources. Then write a four-paragraph analysis in which you discuss the importance of historical context for these two poems.”

In Unit 4, Drama, students read, The Tragedy of Julius Caesar Act V, a play by William Shakespeare, and Literature Connections: “from The Prince, A Treatise by Niccolo Machiavelli,” and Informational Text Connection, “Et tu, Denzel? Washington shakes up Shakespeare,” an article by Allison Samuels.

  • The After Reading, Reason with Text questions have students refer to both the play and the treatise: “Relate this information to Shakespeare's Caesar and Antony. Would Machiavelli characterize each man as a lion, a fox, or a combination of both animals? Cite evidence from the play that supports lion-like or fox-like qualities of each man.”

  • The Text to Text Connections sections asks: “Does the portrayal of Julius Caesar in Shakespeare's play align with what Machiavelli states about him? Which man do you think Machiavelli would have admired more: Brutus or Anthony? What advice might he have given Brutus? Do you agree with Machiavelli's political perspective? Why or why not?”

In Unit 5, Folk Literature, the main question is “What stories do you remember from your childhood? As you read the stories and poems in this unit, you may find some of the situations or settings unfamiliar. Focus on the characters instead; you may have more in common than you think.” At the beginning of the Unit, students read a myth, a poem, two legends, and the anchor text, an epic legend. There are text-dependent questions at the end of each text in the Refer and Reason section, and there are tasks; however, they are listed as extensions and are optional.

  • The texts read in the Guided Reading section include: “Orpheus” by Robert Graves, “A Tree Telling of Orpheus” by Denise Levertov, The Once and Future King by T.H. White, and a legend by Sir Thomas Malory. These texts directly support the Anchor text, Sundiata: An Epic of Old Mali. Mirrors & Windows questions are provided at the beginning and end of each text selection:

    • For Orpheus: “The Mirrors & Windows questions at the end of the selection ask how the myth of Orpheus reflects the cultural values of the ancient Greeks. You may want to introduce this idea before reading by asking 'What do myths reveal about the cultures that created them?'”

    • The Literary Element listed in the Scope and Sequence is “Plot and Conflict,” and the Mirrors and Windows theme is “Greek Culture.”

  • The Guided Reading section of Unit 5 features a novel excerpt from The Ingenious Hildalgo Don Quixote de la Mancha. The Mirrors & Windows question before reading is “What behavior does the author parody through this depiction of Don Quixote?” After reading, students are asked questions about the character of Don Quixote.The Literary Element listed in the Scope and Sequence is “Parody and Illusion,” and the Mirrors and Windows theme is “Character.”

  • After reading “Mulan,” an Anonymous ballad translated by Hans H. Frankel, students are asked the Mirrors & Windows question, “Suppose a friend tells you Mu-lan should not have taken such drastic measures to save her father--that she acted impulsively. How would you respond?” The Literary Element listed in the Scope and Sequence is “Ballard,” and the Mirrors and Windows theme is “Courage and Foolishness.”

  • The Culminating Tasks are a Speaking and Listening Workshop to prepare a Multimedia Presentation and Writing, Informative Writing, Write a Research Paper.

Unit 6 is presented to students as an Independent Reading Unit. Considering this unit is entirely dedicated to independent reading, Before Reading and After Reading sections have changed. In both the Annotated Teacher’s Edition and the Student Edition, there are no Before Reading sections; instead, there are short blurbs about the author and poem selection. So, as students are reading within the student textbook, they are not presented with a purpose, objectives, or additional guiding information. Although, students are still presented with Mirrors & Windows questions at the close of every text, and students also experience a Refer and Reason section that poses three questions at the end of every individual or paired readings, the questions presented are not sequenced in a way that builds student knowledge and integration of ideas across individual or paired readings.

  • Students read “Contents of the Dead Man’s Pocket,” a short story by Jack Finney. After students read Finney’s short story, they read a fact sheet by the American Psychological Association: “Mind/Body Health: Job Stress.” At the close of the short story, students are presented with a Mirrors & Windows question: “How do you determine what is important in life? Is there anything important enough to risk your life for?” There is no Mirrors & Windows question present for the fact sheet. Students then are presented with the Refer and Reason section that has three questions all in regard to “Contents of the Dead Man’s Pocket,” which have students recall and identify information. There is, however, one Text to Text Connection question: “After reading this article, what evidence from ‘Contents of the Dead Man’s Pocket’ makes clear that Tom Benecke is suffering from job stress? How does the story’s ending suggest that he has recognized his problem? What changes do you think he might make in his life as a result of this experience?”

  • Students read “Miriam,” a short story by Truman Capote. At the close of the text, students are presented with the following Mirrors & Windows question: “If you were Mrs. Miller at the end of the story, what would you do? How have you handled frightening or unexplainable situations in the past?” Students are then presented with Emily Dickinson’s poem, “The Only Ghost I Ever Saw.” At the close of the text no Mirrors & Windows question is present. Students are then required to complete three Refer and Reason questions; an example is as follows: “Who do you think Miriam is? Is she real, a ghost, or a figment of Mrs. Miller’s imagination? Who is the old man? Use evidence from the text to explain your answers.” Students are also presented with two Text to Text Connection questions; one of which is as follows: “Compare and contrast the speaker’s reaction to the ghost in Emily Dickinson’s poem with Mrs. Miller’s reaction to Miriam. Which do you find more surprising?”

Indicator 2d

0 / 4

The questions and tasks support students' ability to complete culminating tasks in which they demonstrate their knowledge of a topic through integrated skills (e.g. combination of reading, writing, speaking, listening).

The instructional materials reviewed for Grade 10 do not meet the criteria that the questions and tasks support students’ ability to complete culminating tasks in which they demonstrate their knowledge of a topic through integrated skills (e.g. combination of reading, writing, speaking, listening).

Culminating tasks do not require students to demonstrate knowledge of a topic, nor do they integrate skills. Students complete each workshop independently of each other. Some tasks are loosely connected to unit texts, while others are not connected to texts. Students are often demonstrating mastery of the unit skills rather than demonstrating understanding or knowledge. After every text selection in the After Reading, Refer to Text, Reason with Text section, there are text-dependent questions, and throughout each reading, there are strategies and activities that build students’ skills to complete the end of unit activities. Each unit includes three types of culminating activities: a Speaking and Listening Workshop, Writing Workshop, and Test Practice Workshop. The performance tasks that the students are asked to complete in these culminating activities correspond to the questions, discussions, and writing prompts.

In Unit 3, tasks are loosely connected to unit texts, while others are not connected to texts. Students demonstrate a mastery of the unit skills rather than demonstrating understanding or knowledge. For example:

  • Speaking and Listening Workshop: Students present an Oral Response to Literature, “When you present an oral response to literature, you simply state aloud your reactions to something you have read. You present informal oral responses every time your teacher asks you to share your ideas about something you have read. In this workshop, you will present a formal two-minute oral response to poetry. Students will follow five steps to prepare their oral response to literature; step one, select a poem;step two, study the poem; step three, organize your ideas; step four, practice; step five, deliver the response. This task is loosely related to a text, but focuses on student reaction and not the building of knowledge.

  • Writing Workshop: Students write a Lyric Poem: ”Using concise language and imagery, write a lyric poem that expresses emotions about a specific subject.” Students write a lyric poem in three steps: Step one, prewrite, select your topic, gather information/discovery, organize your ideas, write your opening. Step two, draft your opening stanza, draft your body stanzas, draft your concluding stanza. Step three, revise your poem and evaluate your draft. This task focuses on the skill of writing a lyrical poem.

In Unit 5, tasks are loosely connected to unit texts, while others are not connected to texts. Students demonstrate a mastery of the unit skills rather than demonstrating understanding or knowledge. For example:

  • Speaking & Listening Workshop: Prepare a Multimedia Presentation. In this workshop, you will prepare and deliver an informative presentation using a combination of text, sound, pictures, animation, and video. A multimedia presentation uses a variety of media, a plural form of medium referring to a system of communication, information, or entertainment.” This tasks focuses on the skill of creating a multimedia presentation. Students are asked to pick a topic that they know well. Directions and teacher support focus on the development of the presentation, not building knowledge of a topic but does not build knowledge of a unit topic.

  • Writing Workshop: Informative Writing: “Research a conflict and write an informative paper reporting your findings. Use sources, document them carefully, and prepare a final bibliography to accompany your paper. The Purpose is to research and analyze a conflict and inform your audience about the issues involved. The Audience is members of a community organization interested in learning more about the conflict. Select your topic - you may write about any conflict that has taken place in any culture at any time in history." This assignment focuses on the process of research and does not build knowledge of a unit topic.

  • Test Practice Workshop: Students practice specific reading skills, such as evaluating cause and effect. Students also go through a mini writing skills workshop, where they practice the argumentative essay in the format of a timed writing, and they practice revising and editing skills. This workshop focuses on the reading skills cause and effect and does not build knowledge of a topic.

Indicator 2e

2 / 4

Materials include a cohesive, consistent approach for students to regularly interact with word relationships and build academic vocabulary/ language in context.

The instructional materials reviewed for Grade 10 partially meet the criteria that materials include a cohesive, consistent approach for students to regularly interact with word relationships and build academic vocabulary/language in context.

Materials include vocabulary over the course of a school year, but there is no cohesive plan for students to interact with and build key academic vocabulary words in and across texts. Vocabulary is repeated in contexts, as seen in the Vocabulary and Spelling lessons which are integrated with two of the literature selections in each unit. These lessons incorporate vocabulary words from the preceding selection to provide context and repetition for students to increase their understanding and vocabulary knowledge. However, academic vocabulary is not repeated sufficiently across units throughout the course of the year.

The Teacher’s Edition has key terms with definitions, but there is little to no representation of academic vocabulary. When the academic vocabulary is mentioned within a unit or along with a reading they are not repeated sufficiently through the unit or throughout the course of the year.

A Language Arts Handbook is provided as a student resource at the back of the text which includes Vocabulary and Spelling, and teachers can direct students to these resources.

The Meeting the Standards Unit Resources do include cumulative vocabulary lists and the Teacher’s Edition provides a Building Vocabulary section that includes an overview of all unit vocabulary words, academic vocabulary, and key terms. The Master word lists cover vocabulary from Common Core Tier One, Tier Two, and Tier Three words. Academic words included and addressed in the Vocabulary Practice Lessons that follow do not appear in other Vocabulary Lessons within the grade level and do not appear within the assessment practice or Writing Workshop within the same unit. Additionally, the Exceeding the Standards resource includes a vocabulary and spelling section that contains lessons and practice on word parts and word origins; borrowed words and informal language; testing vocabulary and choosing words; and working with academic vocabulary.

In Unit 2, Annotated Teacher’s Edition, after the Scope and Sequence, Building Vocabulary, Selection Words section, is Academic Vocabulary, which “consists of words that are used in the directions about the lessons. Academic vocabulary words explain to students what to focus on within the selection, help establish the story context, clarify the meaning of literary terms, and define the goals or instructional purpose (Common Core Tier Two Words).

In Unit 2, Annotated Teacher's Edition, Vocabulary and Spelling, Understand the Concept section, students practice using Prefixes, Roots, and Suffixes: “Participating in this lesson will enable students to understand the concept of using prefixes, roots, and suffixes. Review terms relevant to prefixes, roots and suffixes. Practice the concept by completing skill exercises. Apply the concept to extension activities.”

In Unit 3, students complete a Vocabulary & Spelling lesson on literal and figurative meanings of words. Students are given the following review terms within this lesson: literal language, figurative language, simile, metaphor, personification, and hyperbole. There are four exercises labeled A through D. In Exercise A, students “Identify each of the following quotations as a simile, metaphor, personification, or hyperbole”; Exercise B states, “With a partner, brainstorm a simile, metaphor, personification, and hyperbole for each word listed below. Then use the items you brainstormed for one of the words to write a sonnet about that word. Share your sonnet with the class in a formal poetry reading.” Exercise C requires students to “Rewrite the paragraph shown below, adding figurative language to make it more vivid and appealing. Try to use at least one simile, one metaphor, and one personification”; Exercise D requires students to “Write a paragraph in which you describe a special person in your life, such as a family member, classmate, friend, or adult mentor. Use at least four figures of speech in your writing: one metaphor, one personification, and one hyperbole.”

In Unit 4, students complete a Vocabulary & Spelling lesson on using a dictionary and thesaurus correctly. Students are given the following review terms within this lesson: main entry, pronunciation, part-of-speech label, etymology, definitions, example phrase, synonyms, and other forms. There are four exercises labeled A through D. In Exercise A, students “Use a dictionary to find the etymology (the origins) of each of the following words from The Tragedy of Julius Caesar and the poem ‘The Ides of March’ (page 600). Also note the pronunciation and the various meanings of each word, if there is more than one”; Exercise C states, “Using a thesaurus, rewrite the sentences below to replace the overused word great with a more interesting or appropriate word or words.”

In Unit 5 students take part in a vocabulary and spelling lesson on words with multiple meanings. During the lesson they encounter these vocabulary words: derived, versatile, sovereignty, contrivance, wile, lewdly, and profanely. They also review or learn the key terms connotations, verbs, nouns, adjectives, and homographs. Once they understand the key terms, they practice their understanding of these terms by choosing the correct definition of a word based on the context clues provided.

In the introduction to Unit 6, during the introduction, students encounter the vocabulary words revelation, abruptly, vendor, and bland. They also review or learn the key terms preview, purpose, visualize, inferences, clarify, summarize, and prior knowledge.

Indicator 2f

4 / 4

Materials include a cohesive, year-long plan to support students' increasing writing skills over the course of the school year, building students' writing ability to demonstrate proficiency at grade level at the end of the school year.

The instructional materials reviewed for Grade 10 meet the criteria that materials contain a year-long, cohesive plan of writing instruction and practice which support students in building and communicating substantive understanding of topics and texts.

The materials include a variety of resources and supports to provide a year-long, cohesive plan of writing instruction and tasks. Throughout each unit, at the end of each reading selection, informal writing activities are provided. Students are gradually released to perform independent reading and tasks towards the end of each unit; each unit culminates with a Writing Workshop that has a highly scaffolded process toward a writing piece, as well as a scaffolded on-demand writing prompt. The assessments for Units 5 and 6 include an extended writing prompt, increasing the cognitive demand on students toward the end of the year. Throughout the year, both teacher and peers provide feedback to ensure that students' writing skills are increasing. Multiple additional writing supports can be found in the support materials of the curriculum.

  • The Common Core Assessment Practice booklet that contains reading selections with occasional short answer questions that refer to the text and constructed response writing prompts covering argument, informational/explanatory, and narrative writing types.

  • The Meeting the Standards booklet has short answer questions that relate to texts and the use of literary elements, and it has worksheets that can be used to scaffold some of the Extend the Text writing prompts.

  • The Exceeding the Standards booklet gives detailed, structured support for the entire writing process for one type of writing per unit.

  • The Assessment Guide has a summative assessment for each of the reading selections in each unit that includes a writing prompt that requires students to reference the text.

When all of the program resources are used in coordination with each other, teachers can provide a year-long, cohesive plan of writing instruction and tasks which support students in building and communicating substantive understanding of topics and texts.

Examples of a cohesive plan of writing instruction and tasks to meet the criteria for this indicator include, but are not limited to, the following:

In Unit 1, Annotated Teacher's Edition, the first selection is a Close Reading of “The Open Window,” a short story by Saki. In the Extend the Text, Writing Options, Creative Writing section, students are given the following prompt: “Using what you have learned about Frampton and his sister from the story and filling in the rest with your imagination, write the letter of introduction Frampton presents to Mrs. Sappleton. Keep in mind that the Suttles and Framptons belong to ‘polite society.’" An additional support for this story is provided in the Meeting the Standards Guide, Analyze Literature, Characterization section. To gain a better understanding of the author’s fleshing out of the characters, students find evidence in the story that supports the character descriptions provided. There is a graphic organizer with sections for each character beginning with Vera. Students fill in the following three columns: What a character says, What a character does, and What the author says.

In Unit 2, Annotated Teacher's Edition, the first selection is a Close Reading of “Montgomery Boycott” by Loretta Scott King. Students are provided the following writing opportunities:

  • In Extend the Text, Writing Options, Creative Writing section, students are given the following prompt: “Write a leaflet to promote the Montgomery Bus Boycott. Your purpose is to get the proper information to people and to convince them to join the boycott. The leaflet should be persuasive, as well as informative."

  • In Extend the Text, Writing Options, Media Literacy, Analyze Civil Rights Coverage section, students are given the following prompt: “Research coverage of the Civil Rights movement in newspapers and magazines and on the radio, television, and internet. How objective is each report? Whom does each report quote, and how long is each quotation? Write a report on the overall impression of the stories you investigated."

In Unit 3, students read Joy Harjo’s poem, “Remember.” At the close of the reading selection, students compose a piece of informative writing: “Imagine the city you live in is considering building a history center to teach visitors about the city’s past. Write a business letter to the mayor of your city in which you express approval of the plan for a history center and point of the importance of remembering the past. Incorporate into your letter some of the ideas Joy Harjo expresses in her poem about what makes the past significant.” Students are also supported in building and communicating substantive understanding of topics and texts through the Analyze Literature section that focuses on voice and theme: “Reread the poem. Then, in two or three sentences, describe your impression of the poet’s voice, or unique personality and attitude. Consider how the poet chooses to speak directly to the reader. How does this choice affect the theme of the poem?”

In Unit 4, students are presented with a writing workshop opportunity where they must compose an argumentative essay: “Write an argumentative essay, aiming to convince a larger audience to consider your viewpoint about a subject that is important to you.” This writing prompt is supported by all topics and texts covered within the unit: “People thrive on sharing ideas and perspectives and use persuasion as a tool to argue viewpoints, remedy injustices, weigh alternative visions, and simply present opinions, sometimes in ways that improve the human condition. In the Tragedy of Julius Caesar, Brutus and Antony attempt to persuade the Romans of their contrasting views on Caesar’s assassination. In A Marriage Proposal, Lomov tries to persuade Natalia and Chubukov the Oxen Meadows are his...Persuasive language occurs everywhere...In an argumentative essay, the writer respectfully presents a clear position on an issue, using logic, reason, and information, to convince readers to see his or her viewpoint and, if appropriate, to take action on it.”

In Unit 5, after reading selections from Sundiata: An Epic of Old Mali by D.T. Niana and The Once and Future King by T.H. White, students complete a writing activity to extend the text: “How is each of these stories a Cinderella story, or a tale of an unexpected hero? Write a literary analysis on which you state this theme and discuss how each selection develops it. Begin by writing a thesis statement that expresses the shared theme. In your introduction, describe the plot of each selection. Devote one body paragraph to theme development, and add a brief conclusion. The Meeting the Standards booklet has several supporting activities for this text, including one that supports this prompt where students “Complete the table by providing details and general information about the hero of each selection.”

At the end of Unit 5, Folk Literature, students participate in a writing workshop where they complete a Research Paper: “Research a conflict and write an informative paper reporting your findings. Use sources, document them carefully, and prepare a final bibliography to accompany your paper.” Every aspect of the writing process is detailed for the students, including selecting a topic; narrowing a topic; finding sources; taking notes; organizing ideas; writing a thesis statement; drafting the introduction. body, and conclusion; using proper documentation; evaluating the draft; revising, proofreading, and publishing.

At the end of Unit 6, Independent Reading, students participate in a writing workshop where they complete a short story: “Write a short story about a strange happening.” Every aspect of the writing process is detailed for the students, including selecting a conflict; planning the story; drafting the opening, middle, and end; evaluating the draft; revising; proofreading; editing; and publishing.

Indicator 2g

4 / 4

Materials include a progression of focused, shared research and writing projects to encourage students to develop and synthesize knowledge and understanding of a topic using texts and other source materials.

The instructional materials reviewed for Grade 10 meet the criteria that materials include a progression of focused, shared research and writing projects to encourage students to develop and synthesize knowledge and understanding of a topic using texts and other source materials.

The materials provide frequent opportunities for students to engage in research activities that support the understanding of texts and topics within texts. Each selection is followed by at least one opportunity for students to engage in a research task, which includes a variety of individual, partner, and small group projects. Throughout each unit, students are presented with an After Reading section after each text or grouping of texts. Within most After Reading sections, students complete tasks in categories such as: Media Literacy, Lifelong Learning, Critical Literacy, Collaborative Learning, etc. Within these categories, students compose research that is influenced by the topic(s), themes, and genre of the specified reading selection. The textbook offers research opportunities through various writing options also located within the After Reading section. Materials meet the expectations of including a progression of focused research projects to encourage students to develop knowledge in a given area by confronting and analyzing different aspects of a topic using multiple texts and source materials. Research projects are varied throughout the instructional materials and offer tasks that are connected to most texts within a unit.

In addition to opportunities in the textbook, the Exceeding the Standards resource provides extension activities for several selections that ask the students to engage in a more complex research process with multiple steps. The grade 10 research tasks support the intent and depth of the standards.

In Unit 1, in the Annotated Teacher’s Edition, students read, “The Open Window,” a short story by Saki. In The After Reading, Extend the Text, Writing Options, Critical Literacy section, students Research and Compare Social Conventions: “Research the social conventions of another time in American or world history. Provide as much information as you can to explain the reasons behind the conventions. Then write a report comparing and contrasting these conventions (or rules of etiquette) with modern conventions for similar situations.”

In Unit 2, in the Annotated Teacher’s Edition, students read, “Montgomery Boycott,” a memoir by Coretta Scott King. In the After Reading, Extend the Text, Writing Options, Media Literacy section, students Analyze Civil Rights Coverage: “Research coverage of the Civil Rights Movement in newspapers and magazines and on the radio, television, and the internet. How objective is each report? Whom does each report quote, and how long is each quotation? Does each story appear at or near the beginning, middle, or end of the medium? Can you tell what the reporter thinks of the movement? Write a report on your overall impression of the stories you investigated.”

In Unit 3, students read “Making a Fist,” a lyric poem by Naomi Shihab Nye. At the close of the text in the After Reading section, students complete Critical Literacy, Develop Interview Questions: “Locate one or two of Naomi Shihab Nye’s collections of poetry: for example, Different Ways to Pray (1980), Yellow Glove (1986), or The Flag of Childhood: Poems for the Middle East (2002). Read other poems by this author, and think about the common elements among their subjects and themes. Then prepare a list of interview questions for Nye, asking her to comment on ways in which her poetry reflects her life experiences and her most important values. Share your questions with a small group of classmates.

In Unit 4, students read “A Marriage Proposal,” a one-act play by Anton Chekhov. At the close of the text in the After Reading section, students Research a Russian Writer: “Fyodor Dostoevsky, Ivan Turgenev, and Leo Tolstoy were all, like Chekhov, nineteenth-century Russian writers. Research one of these authors and read a short story by him. As you read the story, note characteristics of the writer’s style, themes, and characters. In an informative speech, present your findings to the class."

In Unit 5, students complete a Writing Workshop. For this Writing Workshop, students must compose a research paper. The assignment states, “Research a conflict and write an informative paper reporting your findings. Use sources, document them carefully, and prepare a final bibliography to accompany your paper”; the purpose in completing this writing workshop is “To research and analyze a conflict and inform your audience about the issues involved.” For this research paper, students must complete a Prewrite section that supports students in the following areas: Select Your Topic, Narrow Your Topic, Find Sources, Take Notes, Organize Your Ideas, K-W-L Chart, and Write Your Thesis Statement. Students then complete a Draft phase of their research that supports in the following areas: Draft Your Introduction, Draft Your Body, and Draft Your Conclusion, Use Proper Documentation. To close the research Writing Workshop, students must complete the Revise section that supports students in the following areas: Evaluate Your Draft and Revise for Content, Organization, and Style. Students then compose a Writing Follow-Up: Publish and Present and Reflect. Within this Writing Workshop, students see an exemplar example through all stages of the writing process.

In Unit 6, students read In a Sunburned Country, a piece of travel writing by Bill Bryson. At the close of the text, students are presented with the following writing option: “Bryson mentions several different types of poisonous creatures native to Australia. Choose one of these creatures to research. Then create an informative fact sheet about the creature and what people should do if they encounter the creature.”

Indicator 2h

4 / 4

Materials provide a design, including accountability, for how students will regularly engage in a volume of independent reading either in or outside of class.

The instructional materials reviewed for Grade 10 meet the criteria that materials provide a design, including accountability, for how students will regularly engage in a volume of independent reading either in or outside of class.

The materials use a gradual release of responsibility model in order to engage, motivate, and challenge students. The selections for Units 1-5 begin as Guided Reading, move to Directed Reading, and end in Independent Reading. Instead of students choosing texts that they would like to read, the textbook provides the independent texts. In the independent reading phase, there is minimal support before and after reading, and students apply the skills they have learned throughout the unit independently. At the close of every Independent Reading, students are are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.

Unit 6 focuses entirely on independent reading with selections that have students practice the reading strategies and skills that students have learned. At the end of each unit, there is a list of suggested readings that relate to the topics and subject matter in the unit as a reference for students who wish to further their interests. The Program Planning Guide includes a Reading Log for students to keep track of their weekly reading: date, title, author, pages read, summary/reactions, and genre. The Reading Log provides accountability for outside of class reading, and end-of-selection Refer and Reason questions provide accountability for in-class independent reading selections. Additional supports for students are found in several of the curricular resources such as the Meeting the Standards and the Exceeding the Standards resource guides.

Examples include, but are not limited to, the following:

In Unit 1, students read from A Kite Runner, a novel excerpt by Khaled Hosseini and “The Kite Runner: A Servant’s Son,” a review by Edward Hower. At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.

  • An example of a Refer and Reason question is as follows: “3. Quote what the narrator says that the end of the selection about people who say what they mean. Write a continuation of the story that shows how this assumption might be a problem for Hassan in the future.”

  • An example of a Writing Options question is as follows: “1. Write a retelling of the incident described by Amir from Hassan’s point of view. Keep in mind what you know about Hassan and his relationship with the Amir.”

In Unit 2, students read “Something Could Happen to You,” an autobiography by Esmeralda Santiago. At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.

  • An example of a Refer and Reason question is as follows: “2. Describe what the narrator of 'Something Could Happen to You' learn about being Hispanic. How does she feel about being Hispanic? What are her greatest obstacles as a recent immigrant?”

  • An example of a Writing Options question is as follows: “1. Imagine that you are Miami, young Esmeralda's mother. In a series of journal entries, record your impressions of American life soon after your arrival in Brooklyn. Also jot down your thoughts about how Esmerelda seems to be adjusting to life and her new neighborhood.”

In Unit 3, Annotated Teacher’s Edition, Independent Reading, there are seven lyric poems, a map, and a villanelle. The Independent Reading section begins with Reading Poetry Independently, Theme, Realizations. Reading skills addressed include: understand denotation and connotation, use context clues, determine the appropriate meaning for the context. The villanelle, entitled “The Waking,” is written by Theodore Roethke. Students answer Refer and Reason, text-dependent questions after reading. The Independent Reading, Respond to Drama, Independent Reading Activity is: “Ask students what they think makes a play worth reading.” Students respond to several questions, and have a choice of six plays in which to choose to read.

In Unit 4, Annotated Teacher’s Edition, Program Resources, EMC Access Editions, instructs teachers that for additional independent reading, they may wish to refer students to one of EMC’s Access Edition titles, such as the “Tempest” by William Shakespeare. Each Access Edition contains a thorough study apparatus, including background information, literal comprehension questions, footnotes, vocabulary definitions, and related projects and activities. An Assessment Manual offering worksheets and exams is available for each Access Edition.”

In Unit 5, students read an excerpt from Homer’s The Iliad. At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.

  • An example of a Refer and Reason question is as follows: “2. As he is near death, what does Hector beg of Achilles? How does Achilles respond? Judge whether his reaction is justified. Why or why not?”

  • An example of a Writing Options question is as follows: “2. Why do heroes matter to a culture or society? In a personal essay of two or three paragraphs, discuss your ideas about heroes and heroism, with an emphasis on the role that they play in contemporary society.”

In Unit 6, students read Sandra Cisneros’s short story, “Geraldo No Last Name.” At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.

  • An example of a Refer and Reason question is as follows: “Describe how the hospital staff and police react to Geraldo’s emergency situation and death, and what the staff does for Marin. What apparent attitudes do they have toward Geraldo and Marin? Do you think these attitudes are warranted? Explain.”

  • An example of a Writing Options question is as follows: “2. What roles do race, class, and ethnic background play in the story? Choose one of these things and examine the part it plays in the story. Consider the attitudes Marin, the hospital staff, and police have toward Geraldo’s race, class, and ethnicity. Think about ways the story might have been different if Geraldo were of a different race, class, or ethnicity. Then write a three-paragraph literary analysis that explains what you’ve discovered.”

Within the Program Planning textbook, teachers are provided a Reading Log to give students. The Reading Log consists of sections for the date in which the text was read, title, author, pages read, and a section for summary/reactions. At the bottom of the Reading Log, students must select the genre read, which consists of the following: Fiction, Nonfiction, Poetry, Drama, and Folk Literature. This reading log is kept throughout the entirety of the unit.