9th Grade - Gateway 2
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Building Knowledge
Building Knowledge with Texts, Vocabulary, and TasksGateway 2 - Partially Meets Expectations | 56% |
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Criterion 2.1: Materials build knowledge through integrated reading, writing, speaking, listening, and language. | 18 / 32 |
The instructional materials reviewed for Grade 9 partially meet the criteria that materials build knowledge through integrated reading, writing, speaking, listening, and language. Materials do not meet the criteria that texts are organized around a topic or theme/topic or themes to build students’ knowledge and their ability to read and comprehend and analyze complex texts proficiently. While there are targeted questions and series of questions for students that promote students’ ability to draw conclusions and cite textual evidence, determine theme, and analyze point of view, they do not promote students' building knowledge of the content and texts. Students are presented with text-dependent and text-specific questions; however, the questions do not require students to build knowledge across the text. Culminating tasks do not require students to demonstrate knowledge of a topic, nor do they integrate skills. Materials include vocabulary over the course of a school-year, but there is no cohesive plan for students to interact with and build key academic vocabulary words in and across texts. Materials include a variety of resources and supports to provide a year-long, cohesive plan of writing instruction and tasks. Materials provide frequent opportunities for students to engage in research activities that support the understanding of texts and topics within texts. Materials meet the criteria that materials provide a design, including accountability, for how students will regularly engage in a volume of independent reading either in or outside of class.
Criterion 2.1: Materials build knowledge through integrated reading, writing, speaking, listening, and language.
Indicator 2a
Texts are organized around a topic/topics or themes to build students' knowledge and their ability to comprehend and analyze complex texts proficiently.
The instructional materials reviewed for Grade 9 do not meet the criteria that texts are organized around a topic or theme/topic or themes to build students’ knowledge and their ability to read and comprehend and analyze complex texts proficiently.
The materials are organized by units consisting of broad genres: fiction, nonfiction, poetry, drama, folk literature, and independent reading. A quote at the beginning of each unit is intended to give insight into the collection of literature in the unit. Along with the quote are guiding questions and commentary that are meant to expand upon the quote. While the quote, questions, and commentary at the beginning set the stage for defining a theme or topic, the texts throughout the unit do not consistently connect back to them.Many of the texts in the unit do not relate to each other with a common theme or topic, and students do not build knowledge to help them better read complex texts. Many of the Mirrors & Windows questions focus on text-to-student understanding, rather than the text, and they are not building the student's textual knowledge.
In Unit 1, Fiction, students are presented with the following in the Unit 1 Overview: “Has anyone ever shown you a random act of kindness? Forgiven you or held a grudge against you? Think of the last time you sought revenge or the last time you were truly afraid. As you read the stories in this unit, compare your own experiences with those being expressed. You may find that, though invented, fiction mirrors everyday life.” While there are questions being presented at the beginning of the unit, the questions themselves, along with the commentary, fail to identify an actual topic or theme; topics and themes are hinted at, but the presumed topic or theme is not clear. Students read “Thank You, M’am,” a short story by Langston Hughes. In the Annotated Teacher’s Edition, teachers are presented with the following Mirrors & Windows question: “The Mirrors & Windows questions at the end of the selection focus on the theme of trust. Before reading, ask students to think about what makes them trust someone. Do they consider themselves trustworthy?” Students, at the end of the reading selection, are presented with the Mirrors & Windows question: “Roger ‘did not trust the woman not to trust him. And he did not want to be mistrusted now.’ How do we learn to trust people? Are we more inclined to have faith in or to question the intentions of people we do not know well?” The preview of the Mirrors & Windows question, and the Mirrors & Windows question itself, do not directly reference the Unit 1 Overview questions presented.
In Unit 3 Poetry, students are presented with the following quote at the beginning of the unit: “Poetry is life distilled” by Gwendolyn Brooks. Included with the quote are guiding questions and a suggestion for students to approach reading the texts in the unit: “Could you describe your world in just a paragraph? Try expressing your dreams, opinions, and emotions in a few sentences. Is this possible? As you read the following unit, observe how complex ideas are condensed into a modest selection of words. You may find that while it is usually shorter than prose, poetry speaks volumes.” While there are questions being presented at the beginning of the unit, the questions themselves, along with the commentary, fail to identify an actual topic or theme; a topic or theme are hinted at, but the presumed topic or theme is not clear. Each of selections has its own questions for the students to explore; these are presented through the Mirrors and Windows questions. While these questions are engaging, students are not necessarily building knowledge, and the teacher will need to supplement with additional texts and questions to deepen knowledge.
Unit 6, Independent Reading, students are presented with the following in the Unit Overview: “As a reader, you read for different purposes. Whether you read for enjoyment, to learn, or for information, applying reading strategies and skills will help you become an active, independent reader. The selections in this unit are organized in thematically to include different genres you have studied in this textbook. Apply the strategy skills you’ve practiced in Units 1 through 5 as you read the following selections.” Students independently read “Homeless,” an essay by Anna Quindlen. The Mirrors & Windows questions at the beginning of the text asks students, “Before students begin reading, engage in discussion of what would motivate them to take positive action to help people who are dealing with troubles in their lives.” The Mirrors & Windows focus questions at the end of the text ask students, “What purpose does it serve to 'lessen our own participation' and the troubles of others? Why does this happen and what does it say about the people who allow this to happen? How might people resist this happening?” While these are compelling questions, the teacher will have to supplement with other texts and possibly questions to support building knowledge.
Indicator 2b
Materials contain sets of coherently sequenced higher order thinking questions and tasks that require students to analyze the language (words/phrases), key ideas, details, craft, and structure of individual texts in order to make meaning and build understanding of texts and topics.
The instructional materials reviewed for Grade 9 partially meet the criteria that materials contain sets of coherently sequenced questions and tasks that require students to analyze the language (words/phrases), key ideas, details, craft, and structure of individual texts in order to make meaning and build understanding of texts and topics.
While there are targeted questions and series of questions for students that promote students’ ability to draw conclusions and cite textual evidence, determine theme, and analyze point of view, they do not promote students' building knowledge of the content and texts. There are few questions that support students in analyzing author’s language and word choice. The questions that do focus on language and structure do not support students to analyze its effect on the text.
For example, the Assessment Guide for “Thank You, Ma’am,” Lesson Test, includes multiple-choice questions for students to analyze the language, details, and craft. These questions do provide some access to reading the text closely; however, they do not provide deeper knowledge building nor academic vocabulary practice.
What does Roger attempt to steal from Mrs. Jones?
Which of the following words is a synonym for "frail," as used in the sentence, "The boy appeared sickly and frail."
Which of the following quotations from the story is not an example of characterization?
In Unit 2, The Meeting the Standards Guide, Unit 2 Nonfiction, provides the following sets of questions:
In applying biography, autobiography, and memoir to the Selection, question 1: After students have read the selections in Unit Two, they explain why “The Teacher Who Changed My Life” is considered a memoir and not an autobiography.
In Assignment page Applying Traits of Essays to Selections, question 2: “Quote one sentence from ‘The Obligation to Endure’ that shows it is an expository essay.”
In Understanding Speeches, question 3: “What is the main difference between a formal speech and an informal speech?”
In Applying Traits of Informational Texts to Selections, students use a graphic organizer to summarize one fact and one opinion from each article read in Unit 2. These questions provide some opportunity for students to engage with the text; however, the teacher will need to supplement the questions and tasks to assure students dive into the craft, structure and, vocabulary beyond a surface read.
In Unit 3, students read “Metaphor” by Eve Merriam and “Simile” by N. Scott Momaday. In the Annotated Teacher Edition, teachers ask the students to complete a Mirrors and Windows task before reading “Metaphor”: “Before students read the poem, have them discuss their attitudes about the idea of starting over.” This task is directly followed by a Mirrors and Windows question once students have finished reading “Metaphor”: “Is there freedom in starting over? Is the prospect of starting over every morning invigorating, frightening, or tedious?” Next, students move on to read “Simile,” and instructors pose another Mirrors and Windows question before students read and deconstruct the poem: “Discuss how words can sometimes create rifts in a relationship.” This question is directly followed by a Mirrors and Windows question once students have finished reading “Simile”: “Under what circumstances might it be better to avoid confrontation and when might it be better to meet it head on? Can relationships sometimes benefit from avoidance?” While the questions are focused on the text, they do not support building knowledge of the content or a deep analysis of the effect of the language on the text.
In Unit 5, students read the fable, “The Princess and the Tin Box” by James Thurber as Independent Reading. Once students have read the fable, they complete the following Refer to Text and Reason with Text section questions located at the end of the text:
Outline the descriptions of each prince, including details of his arrival and gift for the princess. How are they different from the poor young man?
Evaluate whether or not you think the author does an effective job of setting up the reader to be surprised. Explain.
Sarcasm is sharp and satirical or ironic language designed to cut or give pain to another. Explain why the moral at the end of the fable is an example of sarcasm.
While these questions do focus on the text, the questions carry the majority of the intellectual load and reduce the actual knowledge demands placed on the student.
Indicator 2c
Materials contain a coherently sequenced set of text-dependent and text-specific questions and tasks that require students to build knowledge and integrate ideas across both individual and multiple texts.
The instructional materials reviewed for Grade 9 partially meet the criteria that materials contain a coherently sequenced set of text-dependent and text-specific questions and tasks that require students to build knowledge and integrate ideas across both individual and multiple texts.
In the curriculum, students are presented with text-dependent and text-specific questions; however, the questions do not require students to build knowledge across the text. Included are some text-dependent questions for each selection in the form of During Reading questions and After Reading questions. The During Reading questions require only a surface amount of knowledge to complete. The After Reading questions are broken into Refer to Text and Reason with Text questions. The Refer to Text questions require surface knowledge of the text. The Reason with the Text questions are designed to increase in complexity from understanding, applying, analyzing, evaluating, and creating; however, these questions comprise a small percentage of the questions and tasks that students are required to address.
Most questions and tasks do not require that students refer to the text, and it is unclear how the questions work to build knowledge across an individual text. Each unit includes two texts that are paired with the intention of teaching literary elements across texts. The individual paired texts have text-dependent questions at the end, but there is only one question that asks the students to compare the texts, and the question does not promote a deep analysis of the texts. There are other text-to-text connections established in the units, but the questions about these connections do not require an analysis of the integration of ideas.
The Mirrors & Windows questions are mainly text-to-student questions, where students are not required to read the text in order to be able to respond. The Annotated Teacher’s Edition presents verbal questions within the outside band as students are reading, but students are not practicing questions independently or in groups. The Exceeding the Standards and Meeting the Standards supplemental resources offer additional, yet limited, activities within the unit to compare a set of texts. Various texts within the units have student writing, speaking, and researching tasks for evidence of students’ need to perform analysis of texts to complete quality cumulative assignments and tasks.
In Unit 1, Fiction, students read and compare two texts: “The Good Deed” by Pearl. S. Buck and “Tears of Autumn” by Yoshiko Uchida. At the end of the second text, students are asked the following comparison questions: “Do Mrs. Pan and Hana Omiya come to the United States for the same reason? Is what motivates Lili to accept Mrs. Pan’s help in ‘The Good Deed’ the same as Hana’s motivation to volunteer for the marriage to Taro Takeda? How do you think each of the women view marriage?”
In Unit 2, Nonfiction, students read the speech, “I Have a Dream,” by Martin Luther King, Jr. At the end of the selection, students are asked text-dependent questions. In order to Refer to the Text, students are asked to “List phrases King repeats during his speech.” To further Reason with the Text, students are asked to “Examine why King repeats ‘I have a dream'.”
In Unit 3, Poetry, students read two lyric poems: “Cold as Heaven” by Judith Ortiz Cofer and “Gentle Communion” by Pat Mora.
The After Reading, Reason with Text questions have students refer to both poems, “Compare the grandparent/grandchild relationship in 'Cold as Heaven' with the relationship in 'Gentle Communion.' How does death or the possibility of death affect the relationships?”
In the Compare Literature: Speaker and Tone Section, students respond to the following: “Both Mora and Ortiz Cofer come from Latino immigrant families. Ortiz Cofer came to America as a small child, whereas Mora is a third-generation American. Discuss with a partner or small group how the immigrant experience comes into play between the speaker and the grandmother in each poem. How are the experiences of the speakers and the grandmother's different? How in these poems did immigration affect each character's experience?”
In the Extend the Text: Informative Writing section students: “Write a compare-and-contrast paragraph of both speaker and tone in “Cold as Heaven” and in “Gentle Communion.”
In Unit 4, Drama, students read, The Tragedy of Romeo and Juliet, Act V, a play by William Shakespeare and “Purgatory,” a poem by Maxine Kumin.
In Text to Text Connection, students respond to the following: “Consider if Shakespeare had allowed Romeo and Juliet to survive their ordeal. Might he have imagined their ending as similar to Kumin’s ‘Purgatory’? What question does Maxine Kumin's poem ‘Purgatory’ raise about the nature of Romeo and Juliet's relationship? If the speaker in Kumin’s poem could give advice to Romeo and Juliet, what do you think she or he would say? Compare ‘Purgatory’ to the Final Act of Shakespeare's The Tragedy of Romeo and Juliet. What are the greatest losses and the greatest gains in each ending?”
In Unit 4, Drama, Exceeding the Text resource, students read an “In-Depth Study of a Play and Its Criticism: The Devil and Daniel Webster.” After building background, students answer analytical questions about their thoughts on the play. “What was your overall first impression of the play after reading it? Students then read critical articles about the play. “Next, read the following excerpt, A, B, and C, from three scholarly articles about today's work. As you finish each section, reflect on the writers assertions and then fill in the blank provided with a brief summary of her or his main points." Then students are instructed to Compare Your Perspective to a Literary Critic’s: “Now look over your summaries of the 3 critics' main points. Which critics do you most agree with? Choose just one of these critics as the focus of your comparative essay. You will write a two-to-three page essay comparing your own perspective on Benet's play with that of your chosen critic. Your essay’s goal is to demonstrate why you have either a strong agreement or a strong disagreement with that critic.”
Unit 6 is presented as an Independent Reading Unit. Considering this unit is entirely dedicated to independent reading, Before Reading and After Reading sections have changed. In both the Annotated Teacher’s Edition and the Student Edition, there are no Before Reading sections; instead, there are short blurbs about the author and poem selection. So, as students are reading within the student textbook, they are not presented with a purpose, objectives, or additional guiding information. Although, students are still presented with Mirrors & Windows questions at the close of every text, and students also experience a Refer and Reason section that poses three questions at the end of every individual or paired reading; however, the questions presented are not sequenced in a way that builds student knowledge and integration of ideas across individual or paired readings.
Students read William Wordsworth’s poem “I Wandered Lonely as a Cloud” and an excerpt from Dorothy Wordsworth’s journal, The Grasmere Journals. In the student textbook there is a Mirrors & Windows question located after William Wordsworth’s poem: “They flash upon that inward eye/Which is the bliss of solitude.” How might past experiences assist in everyday life?” At the end of the two text selection, students are presented with “Refer and Reason” questions. There are two questions included for the excerpt from The Grasmere Journals, and there is only one question that requires students to build knowledge across both texts: “Both ‘Song of the Open Road’ and ‘I Wandered Lonely as a Cloud’ show us a speaker who is on a journey. Compare and contrast how the speakers are affected by their journeys.”
Students read “Homeless,” an essay by Anna Quindlen. At the close of the text students are presented with a Mirrors & Windows question: “What purpose does it serve to ‘lessen our own participation’ in the troubles of others? Why does this happen and what does it say about the people who allow this to happen? How might people resist this habit?” After the Mirrors & Windows question, students are presented with the “Refer and Reason” section that has three questions. The questions are as follows:
Summarize the essay and identify why Quindlen says she is better at looking at the details than at the big picture. Which has she tried to do in this essay?
Critique how successful Quindlen has been in debunking stereotypes about homeless people. Explain.
Do you think Quindlen’s essay might influence your future thoughts about and actions toward people who are homeless? Why or why not?”
Indicator 2d
The questions and tasks support students' ability to complete culminating tasks in which they demonstrate their knowledge of a topic through integrated skills (e.g. combination of reading, writing, speaking, listening).
The instructional materials reviewed for Grade 9 do not meet the criteria that the questions and tasks support students’ ability to complete culminating tasks in which they demonstrate their knowledge of a topic through integrated skills (e.g. combination of reading, writing, speaking, listening).
Culminating tasks do not require students to demonstrate knowledge of a topic, nor do they integrate skills. Students complete each workshop independently of each other. Some tasks are loosely connected to unit texts, while others are not connected to texts. Students are often demonstrating mastery of the unit skills rather than demonstrating understanding or knowledge. After every text selection in the After Reading, Refer to Text, Reason with Text section, there are text-dependent questions, and throughout each reading, there are strategies and activities that build students’ skills to complete the end of unit activities. Each unit includes three types of culminating activities: a Speaking and Listening Workshop, Writing Workshop, and Test Practice Workshop. The performance tasks that the students are asked to complete in these culminating activities correspond to the questions, discussions, and writing prompts.
In Unit 1, some tasks are loosely connected to unit texts, while others are not connected to texts. Students demonstrate a mastery of the unit skills rather than demonstrating understanding or knowledge. For example:
Speaking and Listening Workshop: Students deliver a narrative presentation where they retell a self-chosen story. Students select a story; map out the story line; visualize the story; think about mood, tone, and language; practice; and present the narrative. This task does not demonstrate students' knowledge of a topic and has students simply retelling a story.
Writing Workshop: Students write a character analysis on a character from one of the short stories they read in the unit. Students gather information about the character; organize their ideas about the character into categories based on appearance, actions, speech, thoughts, and feelings; write their thesis statement; draft their introduction, body, and conclusion; revise their draft; proofread for errors; publish and present their writing; and reflect on their work.
Test Practice Workshop: Students practice the reading skill of making inferences through reading the short story, “The One Sitting There,” by Joanna H. Wo; answering reading comprehension questions on the text, responding to a constructed response prompt on the text: “In lines 11-12, the narrator says, ‘Throwing the food away was rational and reasonable.’ Does the narrator throw the food away for purely rational reasons? Why or why not? Use information from the passage to explain your answer.” Then students complete an extended writing prompt on an issue presented in this prompt: “How have you been affected by a significant local or national disaster? Plan and write a reflective essay that explains your experience with a specific disaster. Use details such as examples, observations, and feelings to make your position clear.” For the second section, students practice revising and editing by reading a paragraph, identifying errors in the writing, and suggesting ways of improving the errors. This workshop focuses on the skill of inferencing and does not build knowledge of a topic.
In Unit 5, some tasks are loosely connected to unit texts, while others are not connected to texts. Students demonstrate a mastery of the unit skills rather than demonstrating understanding or knowledge. For example:
Speaking & Listening Workshop: “In this lesson, you will conduct and gather information from an interview. In an interview, you meet with someone and ask him or her questions. Interviewing experts or individuals with unique experiences is an excellent way to gain information about a particular topic. Prior to meeting with your subject, do some background research on the topic and think carefully about the questions you would like to ask.” This task is not related to a text.
Writing Workshop on Narrative Writing: The assignment is to “interview an older relative or family friend, and document a story of special meaning. Prewrite, draft and revise the oral history. This workshop is not connected to a text, nor does it build knowledge.
Indicator 2e
Materials include a cohesive, consistent approach for students to regularly interact with word relationships and build academic vocabulary/ language in context.
The instructional materials reviewed for Grade 9 partially meet the criteria that materials include a cohesive, consistent approach for students to regularly interact with word relationships and build academic vocabulary/language in context.
Materials include vocabulary over the course of a school-year, but there is no cohesive plan for students to interact with and build key academic vocabulary words in and across texts. Vocabulary is repeated in contexts, as seen in the Vocabulary and Spelling lessons which are integrated with two of the literature selections in each unit. These lessons incorporate vocabulary words from the preceding selection to provide context and repetition for students to increase their understanding and vocabulary knowledge. However, academic vocabulary is not repeated sufficiently across units throughout the course of the year.
The Teacher’s Edition has key terms with definitions, but there is little to no representation of academic vocabulary. When the academic vocabulary is mentioned within a unit or along with a reading they are not repeated sufficiently through the unit or throughout the course of the year.
A Language Arts Handbook is provided as a student resource at the back of the text which includes Vocabulary and Spelling, and teachers can direct students to these resources.
The Meeting the Standards Unit Resources do include cumulative vocabulary lists and the teacher’s edition provides a Building Vocabulary which includes an overview of all unit vocabulary words, academic vocabulary, and key terms. The Master word lists cover vocabulary from Common Core Tier One, Tier Two, and Tier Three words. Academic words included and addressed in the Vocabulary Practice Lessons that follow do not appear in other Vocabulary Lessons within the grade level and do not appear within the assessment practice or Writing Workshop within the same unit. Additionally, the Exceeding the Standards resource includes a vocabulary and spelling section that contains lessons and practice on word parts and word origins; borrowed words and informal language; testing vocabulary and choosing words; and working with academic vocabulary.
In Unit 1, Annotated Teacher’s Edition, after Scope and Sequence, there is a Building Vocabulary section of over 100 words: “The lists below identify the Words in Use, Academic Vocabulary, and Key Terms within this unit. These words are listed at the bottom of the Teacher’s Edition pages at the beginning of each lesson. Vocabulary development activities are provided in the Meeting the Standards unit book and in the Exceeding the Standards: Vocabulary & Spelling.” The Words in Use section “lists words for teachers along with the page number where they can be found. These words are taken from the sentences within each selection. These words are defined in the side margin or at the bottom of the pages on which they appear.” Next, there is a list of 100 Selection Words: “Selection Words are additional words that may be challenging, but are not central to the selection and are not identified in the pre-reading section. These words can easily be learned using the story, context, and they provide excellent practice for using context clues to find meaning without explicit instruction (Common Core Tier One Words).”
In Unit 2, Annotated Teacher’s Edition, the “Vocabulary & Spelling, Understand the Concept, Prefixes, Roots, and Suffixes, a morpheme is a chunk of a word that has meaning. All words are made up of one or more morphemes. The four main types of morphemes are prefixes, suffixes, word roots, and base words.” The text goes on to define each type of morpheme and has a chart with lists of common prefixes, suffixes and root words. Students complete three exercises to Understand the Concept and Apply the skill. There is a Spelling Practice section: “Words with prefixes and suffixes, Being able to recognize common prefixes and suffixes will help to make you a better speller, because you will know how to spell the affix when you hear it. Some affixes you will recognize immediately, such as adding 's' or 'es' to the end of a noun to make it plural; others are less common. Examine this list of spelling word from ‘Yonder Sky Has Wept Tears of Compassion’ to determine which affixes have been used. Then choose five of the vocabulary words and write a brief narrative that clearly shows your understanding of the meanings of your chosen words.”
In Unit 2, Annotated Teacher's Edition, Vocabulary and Spelling, Understand the Concept section, students practice using Figurative Language: “Participating in this lesson will enable students to: Understand the concept of figurative language. Review terms relevant to figurative language. Practice the concept by completing skill exercises.”
In Unit 3, students read Edgar Allan Poe’s poem, “The Bells.” Students are presented with Preview Vocabulary (balmy, voluminously, clamor, melancholy, and knell), Selection Words (foretells, molten-golden, ditty, impels, and resolute), and Academic Vocabulary (rendering, evoke, enhance, intentional, prosperous, embody, jingles, and menacing). The Preview Vocabulary definitions are included within the text, as students read. The student textbook also identifies where the words are located within the text; it is the student’s responsibility to identify the Selection Words and Academic Vocabulary.
In Unit 4, Lesson 14, Exceeding the Standards resource, students are presented with an activity on morphemes. Students then complete the Try It Yourself section; within this section there are two exercises. Exercise A requires students to “List five words that contain each of the following word parts.” Exercise B has students “Break each of the following words down into its morphemes, or word parts. Tell whether each part is a prefix, suffix, word root, or base word. Also, give the meaning of each part, as found in your lists of common word parts. Finally, using the dictionary and your knowledge of the word parts, write a definition of the word.”
In Unit 5, students take part in a vocabulary and spelling lesson on prefixes, roots, and suffixes. During the lesson they encounter these vocabulary words: context, incorporate, numerical, correspondent, and authentic. They review the following key terms: prefix, root, and suffix. Once they understand the key terms, they practice their understanding of these terms by defining words on a list.
In the introduction to Unit 6, during the introduction, students encounter the vocabulary words concept, progression, maturity, adrift, and equates. The also review or learn the key terms archetype, hero, setting, character, inference, poetry, skim, scan, theme, description, and narrator.
Indicator 2f
Materials include a cohesive, year-long plan to support students' increasing writing skills over the course of the school year, building students' writing ability to demonstrate proficiency at grade level at the end of the school year.
The instructional materials reviewed for Grade 9 meet the criteria that materials contain a year long, cohesive plan of writing instruction and practice which support students in building and communicating substantive understanding of topics and texts.
The materials include a variety of resources and supports to provide a year-long, cohesive plan of writing instruction and tasks. Throughout each unit, at the end of each reading selection, informal writing activities are provided. Students are gradually released to perform independent reading and tasks towards the end of each unit; each unit culminates with a Writing Workshop that has a highly scaffolded process toward a writing piece, as well as a scaffolded on-demand writing prompt. The assessments for Units 5 and 6 include an extended writing prompt, increasing the cognitive demand on students toward the end of the year. Throughout the year, both teacher and peers provide feedback to ensure that students' writing skills are increasing. Multiple additional writing supports can be found in the support materials of the curriculum.
The Common Core Assessment Practice booklet that contains reading selections with occasional short answer questions that refer to the text and constructed response writing prompts covering argument, informational/explanatory, and narrative writing types.
The Meeting the Standards booklet has short answer questions that relate to texts and the use of literary elements, and it has worksheets that can be used to scaffold some of the Extend the Text writing prompts.
The Exceeding the Standards booklet gives detailed, structured support for the entire writing process for one type of writing per unit.
The Assessment Guide has a summative assessment for each of the reading selections in each unit that includes a writing prompt that requires students to reference the text.
When all of the program resources are used in coordination with each other, teachers can provide a year-long, cohesive plan of writing instruction and tasks which support students in building and communicating substantive understanding of topics and texts.
Examples of a cohesive plan of writing instruction and tasks to meet the criteria for this indicator include, but are not limited to, the following:
In Unit 1, Meeting the Standards Grade 9 Resource, students read “Thank You, Ma’m,” by Langston Hughes and are provided with the following prompt in the Writing Option, Narrative Writing section: “Use the steps below to complete the Narrative Writing assignment in your textbook on page 11. Under the Prewrite section, there is a Word Connotation Chart. In the Chart brainstorm a list of words that you might use to describe the events in your narrative paragraph. Draft. Write a rough draft of your narrative paragraph using words from your prewrite activity. Revise and Edit. Read your paragraph and use the writing rubric below to evaluate your draft to determine which sections need revising or editing.”
In the Unit 2, Annotated Teacher's Edition, students read “Aha Moment,” by Julie Alvarez. In the Extend the Text, Writing Options, Creative Writing section, students are provided the following prompt: “Pretend you are a news reporter assigned to cover the emergency landing in ‘Aha Moment.’ Write a newspaper article of approximately four paragraphs about the event.”
In Unit 3, students read “Beware: Do Not Read This Poem,” a poem by Ishmael Reed. Within the After Reading section, students complete a Creative Writing option: “Pretend that you are an advice columnist and someone has written to you expressing worry about being eaten by a poem. You will need to write the letter from the worried person, as well as the response of the columnist. Consider the metaphorical meaning of ‘being eaten by a poem’ as you write this letter and response.” This writing option is supported by The Mirrors & Windows question at the end of the selection that supports students in building and communicating substantive understanding of the topic of the poem as well as the poem itself: “The Mirrors & Windows questions at the end of the selection focus on the theme of obsession. Before reading, ask students to think about a hobby or an activity that they enjoy. How much of their time is consumed by this activity?”
In Unit 3, at the close of the unit, students are presented with a Writing Workshop. Students must complete a Compare-and-Contrast essay: “Choose a poet you like, one published in this book. Write an essay comparing and contrasting two author websites on the poet. Follow the three stages of the writing process: Prewrite, Draft, and Revise.”
In Unit 4, Annotated Teacher's Edition, students read, The Tragedy of Romeo and Juliet, a play by William Shakespeare. In the After Reading, Extend the Text, Writing Options section, students practice Informative Writing: “Write a one-page character analysis examining a character in Romeo and Juliet. Do not simply describe the character, make a statement about his or her role in the play. For instance, you might state that Friar Lawrence chastises yet cares for Romeo, and his decisions unintentionally led to the tragedy. Explain how his or her particular traits made the character behave in certain ways. Include evidence from the play, and share your character analysis with the class.”
In Unit 5, after reading “The Princess and the Tin Box,” a fable by James Thurber, students are given two writing options. One of these is supported through scaffolded activities in the Meeting the Standards booklet: “The Writing Option on page 807 says, ‘Just what is it about ‘The Princess and the Tin Box’ that makes the tale so amusing? Write a brief two-paragraph analysis of the techniques Thurber uses in making the reader laugh.’ Fill in the chart and answer the questions below as prewriting for this assignment.”
At the end of Unit 6, students participate in a writing workshop where they complete an I-search Project: “Plan, write, and revise an I-search paper in which you explore -- and describe the process you undergo -- a talent you’d like to develop and the potential careers it could lead you to.” Every aspect of the writing process is detailed for the students, including selecting a topic; gathering information; organizing ideas; writing a thesis statement; drafting an introduction, body and conclusion; using proper documentation; and revising, proofreading, and publishing.
Indicator 2g
Materials include a progression of focused, shared research and writing projects to encourage students to develop and synthesize knowledge and understanding of a topic using texts and other source materials.
The instructional materials reviewed for Grade 9 meet the criteria that materials include a progression of focused, shared research and writing projects to encourage students to develop and synthesize knowledge and understanding of a topic using texts and other source materials.
The materials provide frequent opportunities for students to engage in research activities that support the understanding of texts and topics within texts. Each selection is followed by at least one opportunity for students to engage in a research task, which includes a variety of individual, partner, and small group projects. Throughout each unit, students are presented with an After Reading section after each text or grouping of texts. Within most After Reading sections, students complete tasks in categories such as: Media Literacy, Lifelong Learning, Critical Literacy, Collaborative Learning, etc. Within these categories, students compose research that is influenced by the topic(s), themes, and genre of the specified reading selection. The textbook offers research opportunities through various writing options also located within the After Reading section. Materials meet the expectations of including a progression of focused research projects to encourage students to develop knowledge in a given area by confronting and analyzing different aspects of a topic using multiple texts and source materials. Research projects are varied throughout the instructional materials and offer tasks that are connected to most texts within a unit.
In addition to opportunities in the textbook, the Exceeding the Standards resource provides extension activities for several selections that ask the students to engage in a more complex research process with multiple steps. The grade 9 research tasks support the intent and depth of the standards.
In Unit 1, in the Annotated Teacher’s Edition, students read, ”Blues Ain’t No Mockin Bird,” a short story by Toni Cade Bambara. In The After Reading, Extend the Text Writing Options, Lifelong Learning section, students "Research the Blues: What do you think the title of the story means? The mockingbird is well-known for mimicking the sounds of other birds. What does that have to do with the musical style known as the blues? Use the Internet to research the history and characteristics of the blues. Use your research to draw conclusions about the meaning of the story's title, and write an essay in which you explain why the “blues ain't no mockingbird.”
In Unit 2, in the Annotated Teacher’s Edition, students read, ”Trapped New Orleans Pets Still Being Rescued,” a news article by Laura Parker and Anita Manning. In the After Reading, Extend the Text, Writing Options, Lifelong Learning section, students "Research Volunteer Organizations: Working as a part of a group, identify two local volunteer organizations that provide charity, assistance, or community service. You might find groups that provide meals for the homeless, support environmental protection, provide shelter for animals, or mentor foster-care children. Research the organizations and discuss how you might become involved. Call their offices to obtain information or look up the organization's on the Internet. In a group presentation to your class, discuss two of the organizations and explain how people could become involved.”
In Unit 3, students read “Gifts,” a lyric poem by Shu Ting. At the close of the text in the After Reading section, students complete a Lifelong Learning task: “Research the Misty poets. Use the internet and the library to identify other Misty poets from China. Choose one poet and research his or her life and work. Imagine that person is coming to your school to do a reading. Create a poster advertising the event. Include on your poster biographical details and accomplishments of the poet.”
In Unit 4, students read The Inspector-General, written by Anton Chekhov. At the close of the text in the After Reading section, students complete a Lifelong Learning task: “Research Author’s Life. The name 'Chekhov' is more commonly associated with serious dramas than with comedic farces like The Inspector-General. Research Chekhov’s life to find his influences and inspirations. Propose a theory about the elements of his life that are expressed in his writing. Write your findings in a brief essay for your school’s literary magazine."
In Unit 5, students read “The Story of Daedalus and Icarus” from The Metamorphosis, an epic poem by Ovid translated by Rolfe Humphries. At the close of the text, students are presented with an After Reading section. Students are given the following writing option: “In the library or from the Internet, choose a myth that is not in this textbook. Write a one-page literary analysis explaining the moral, or lesson about life, that this tale offers. Use details from the story to support your conclusion. If you need help selecting a myth to analyze, ask your teacher or a librarian to assist you.” Within the same section, students also practice media literacy: “References to mythological characters or occurrences are often found in contemporary media. With a partner, find three 20th or 21st century references to Greek or Roman mythology in entertainment, advertising, or popular literature. Photocopy or clip any articles and advertisements. Analyze the influences of Greek and Roman mythology you found in each example.”
In Unit 6, students complete a writing workshop. The paper that students must compose is known as Research Paper: The I-Search: “Write an I-search essay exploring a personal talent in order to learn how to develop it and use it in the future”; the purpose in completing this writing workshop is “to use various sources to gain insight into this talent or interest.” For this research paper, students must complete a “Prewrite” section that supports students in the following areas: Select Your Topic, Gather Information, Organize Your Ideas, K-W-L Chart, and Write Your Thesis Statement. Students then complete a “Draft” phase of their research that supports in the following areas: Draft Your Introduction, Draft Your Body, and Draft Your Conclusion. Students are then presented with an in-depth view and practice regarding direct quotations, parenthetical citations, paraphrasing, and works cited formatting. To close the research Writing Workshop, students must complete the “Revise” section that supports students in the following areas: Evaluate Your Draft; Revise for Content, Organization, and Style; and Proofread for Errors. Students then compose a “Writing Follow-Up”: Publish and Present and Reflect. Within this Writing Workshop, students see an exemplar example through all stages of the writing process.
Indicator 2h
Materials provide a design, including accountability, for how students will regularly engage in a volume of independent reading either in or outside of class.
The instructional materials reviewed for Grade 9 meet the criteria that materials provide a design, including accountability, for how students will regularly engage in a volume of independent reading either in or outside of class.
The materials use a gradual release of responsibility model in order to engage, motivate, and challenge students. The selections for Units 1-5 begin as Guided Reading, move to Directed Reading, and end in Independent Reading. Instead of students choosing texts that they would like to read, the textbook provides the independent texts. In the independent reading phase, there is minimal support before and after reading, and students apply the skills they have learned throughout the unit independently. At the close of every Independent Reading, students are held accountable for their independent reading task in answering three Refer and Reason questions and two Writing Options.
Unit 6 focuses entirely on independent reading, with selections that have students practice the reading strategies and skills that students have learned. At the end of each unit, there is a list of suggested readings that relate to the topics and subject matter in the unit as a reference for students who wish to further their interests. The Program Planning Guide includes a Reading Log for students to keep track of their weekly reading: date, title, author, pages read, summary/reactions, and genre. The Reading Log provides accountability for outside of class reading, and end-of-selection Refer and Reason questions provide accountability for in-class independent reading selections. Additional supports for students are found in several of the curricular resources such as the Meeting the Standards and the Exceeding the Standards resource guides.
Examples include, but are not limited to, the following:
In Unit 1, students read the independent reading selection “The Ravine,” a short story by Graham Salisbury. Students answer Refer and Reason questions at the text to check their comprehension and interpretation of the text. Examples of these questions are as follows:
Distinguish the mood that the author creates by using details to describe the setting.
Compare and contrast Vinny with his friends. What type of characters are the friends? With which of the characters would you most likely be friends? Why?
Vinny’s decision not to jump comes from ‘a place of peace.’ How do you think that might affect how his friends treat the incident? Discuss how things might have been different if he had jumped.
In Unit 2, students read, “Climbing Mount Fuji,” a personal narrative by Dave Barry. At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options:
An example of a Refer and Reason question is as follows: “3. List three facts about Mount Fuji. Using details from Barry's piece and the background information, write a brief description of Mount Fuji.”
An example of a Writing Options question is as follows: “1. Choose a save from the selection and write a paragraph describing it from the perspective of a Japanese citizen.”
In Unit 3, in the Directed Reading section, students read “Gifts,” a lyric poem by Shu Ting, and use the reading strategies of visualize and clarify. In the Mirror and Windows Meeting the Standards Grade 9 resource, there are additional supports for students such as a pre-reading activity to Build Background, a graphic organizer for diction and tone and symbolism, and a multiple choice Selection Quiz for accountability. Also, in the Independent Reading section, students read “Fifteen,” a narrative poem by William Stafford. In the Mirror and Windows Meeting the Standards Grade 9 resource, there are additional supports for students such as a graphic organizer to assist with analyzing the poem. After reading, students describe and critique the text and respond to the Refer and Reason text-dependent questions in the Student Edition Textbook.
In the Unit 4, Drama, Annotated Teacher’s Edition students form groups for the Independent Reading, Respond to Drama, Independent Reading Activity and do the following: “Each group should select a play and read it. Tell students to read the play independently, and then meet with their group members to read parts of the play aloud.” For Your Reading List offers students a choice of six plays.
In Unit 5, students read “Perseus,” a myth retold by Edith Hamilton. At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.
An example of a Refer and Reason question is as follows: “2. Assess why Polydectes wants to kill Perseus.”
An example of a Writing Options question is as follows: “1. Imagine that you are King Acrisius when he hears the priestess at the oracle of Delphi tell him what he must do to avoid the dreadful prediction. Create a diary entry to describe your dilemma.”
In Unit 6, students read an excerpt from a travelogue Blue Highways: A Journey into America, by William Least Heat-Moon. At the close of the text, students are held accountable for their independent reading task in their answering of three Refer and Reason questions and two Writing Options.
An example of a Refer and Reason question is as follows: “2. The author claims that ‘being alone on the road makes you ready to meet someone when you stop. You get sociable traveling alone.’ Evaluate the truth of this statement and judge to what extent living away from others has affected rural dwellers’ sociability.”
An example of a Writing Options question is as follows: “1. Many of the people whom Least Heat-Moon encounters show concern for his safety. Write a safety manual for people who wish to travel cross-country and combine your own advice with the advice of Least Heat-Moon.”